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Julia Naman

Julia Naman

I'm a creative writing major at Pepperdine University, where I spend my days writing music, working for Westlake Magazine, and getting my car towed by AAA. Hobbies include writing, running, Celia Cruz and scouring Zillow for cabins in Montana. My mantra is Romans 12:12 — "Be joyful in hope, patient in affliction, and faithful in prayer."

Niki & The Dove consists of Malin Dahlström and Gustaf Karlöf
Columns, Music, Today's SongJune 7, 2016<June 6, 2016

Today’s Song: Niki & The Dove’s “So Much It Hurts” Brings Back the Good Times We Never Had

Dreamland - Wild Belle
Features, Music, Our Take, ReviewsMay 25, 2016<May 25, 2016

Our Take: Wild Belle’s “Dreamland” Shows the Importance of Good Genes

Gallant Ology banner
Debut, Music, Our Take, ReviewsApril 28, 2016<April 28, 2016

Our Take: Gallant’s Debut Album “Ology” is Worth the Weight

Kwamie Liv
Columns, Music, Music You Should KnowApril 8, 2016<April 8, 2016

Music You Should Know: Kwamie Liv “Can Take You Higher” — Or Lower, Depending on Preference

luhx.
Columns, Music, Today's SongMarch 10, 2016<February 28, 2018

Today’s Song: Let “Poison” by luhx. Be Your New Break-Up Song

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
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