• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Kaitlyn Zorilla

Kaitlyn Zorilla

Kaitlyn is a California girl through and through; she grew up in San Diego and now attends UCLA. When she is not at the beach, she spends most of her time and money going to concerts and reveling in the historic Los Angeles music scene.

Annabelle's Curse perform "Regret"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 7, 2016<October 7, 2016

Atwood Magazine and LiveSyphon Present: The Blessed Duality of Annabelle’s Curse

Truitt band picture 2016
Columns, Debut, Music, Today's SongSeptember 7, 2016<September 6, 2016

Today’s Song: Truitt’s Reign Begins with “Throne”

Ptarmigan 2016
Features, Music, PremieresAugust 16, 2016<August 16, 2016

Exclusive Premiere: Ptarmigan Take Flight on “O Zephyr”

The Last Shadow Puppets © Zackery Michael
Concerts, MusicAugust 9, 2016<August 9, 2016

LIVE: The Last Shadow Puppets Dazzle in San Diego

Still from Colony House's "You Know It" music video
Columns, Music, Today's SongJuly 19, 2016<July 19, 2016

Today’s Song: From Nashville to San Francisco, Colony House Returns with “You Know It”

Phoria
Columns, Music, Today's SongJune 27, 2016<June 27, 2016

Today’s Song: Phoria Seeks Out Your Senses with “Loss”

Posts pagination
1 2

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services