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Kaitlyn Zorilla

Kaitlyn Zorilla

Kaitlyn is a California girl through and through; she grew up in San Diego and now attends UCLA. When she is not at the beach, she spends most of her time and money going to concerts and reveling in the historic Los Angeles music scene.

Annabelle's Curse perform "Regret"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 7, 2016<October 7, 2016

Atwood Magazine and LiveSyphon Present: The Blessed Duality of Annabelle’s Curse

Truitt band picture 2016
Columns, Debut, Music, Today's SongSeptember 7, 2016<September 6, 2016

Today’s Song: Truitt’s Reign Begins with “Throne”

Ptarmigan 2016
Features, Music, PremieresAugust 16, 2016<August 16, 2016

Exclusive Premiere: Ptarmigan Take Flight on “O Zephyr”

The Last Shadow Puppets © Zackery Michael
Concerts, MusicAugust 9, 2016<August 9, 2016

LIVE: The Last Shadow Puppets Dazzle in San Diego

Still from Colony House's "You Know It" music video
Columns, Music, Today's SongJuly 19, 2016<July 19, 2016

Today’s Song: From Nashville to San Francisco, Colony House Returns with “You Know It”

Phoria
Columns, Music, Today's SongJune 27, 2016<June 27, 2016

Today’s Song: Phoria Seeks Out Your Senses with “Loss”

Posts pagination
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Recent Posts

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  • Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter July 14, 2026
  • “Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing July 14, 2026
  • “You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate July 14, 2026
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  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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