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Kayleigh Schweiker

Kayleigh Schweiker

Kayleigh Schweiker is a writer and photographer currently based in New York City. A lover of nature, travel, and art, you can often find her escaping the city, exploring one of New York’s many museums, or at a local band show.

Hannah Jadagu © Sam Wailbert
Features, Interviews, MusicDecember 10, 2025<December 10, 2025

Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains

Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

Recent Posts

  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
  • “Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning March 10, 2026
  • Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows! March 9, 2026
  • “We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’ March 9, 2026
  • “Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day March 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
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    • Today’s Song
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    • Music You Should Know
    • Nostalgia Tracks
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  • New Music Calendar
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