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Kayleigh Schweiker

Kayleigh Schweiker

Kayleigh Schweiker is a writer and photographer currently based in New York City. A lover of nature, travel, and art, you can often find her escaping the city, exploring one of New York’s many museums, or at a local band show.

Hannah Jadagu © Sam Wailbert
Features, Interviews, MusicDecember 10, 2025<December 10, 2025

Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains

Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

Recent Posts

  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
  • “Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It January 27, 2026
  • “Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” January 27, 2026
  • Essay: Front Row Salvation January 27, 2026
  • From School Corridors to Iconic Venues: Arkayla’s Takeover of Manchester’s Music Scene January 26, 2026
  • “The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream January 26, 2026
  • Self Proclaimed Narcissist’s “New Man” Shines Through the Mystery January 24, 2026
  • “Things Are Moving All Around Me”: Henry Grace Lets the Songs Breathe on His Warm & Weathered Sophomore Album January 23, 2026
  • Atwood Magazine’s Weekly Roundup: January 23, 2026 January 23, 2026
  • “Letting Go of Nothing”: The Format Give Us Something to Believe in on “Boycott Heaven,” an Indie Rock Anthem for a Broken Present January 23, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
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