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Kayleigh Schweiker

Kayleigh Schweiker

Kayleigh Schweiker is a writer and photographer currently based in New York City. A lover of nature, travel, and art, you can often find her escaping the city, exploring one of New York’s many museums, or at a local band show.

Hannah Jadagu © Sam Wailbert
Features, Interviews, MusicDecember 10, 2025<December 10, 2025

Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains

Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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