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Kayleigh Schweiker

Kayleigh Schweiker

Kayleigh Schweiker is a writer and photographer currently based in New York City. A lover of nature, travel, and art, you can often find her escaping the city, exploring one of New York’s many museums, or at a local band show.

Hannah Jadagu © Sam Wailbert
Features, Interviews, MusicDecember 10, 2025<December 10, 2025

Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains

Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

Recent Posts

  • Live Review: Slayyyter Cranks Governors Ball into a Campy, Gag-Worthy Pop Frenzy June 11, 2026
  • Answering the Longing: Bedouine’s ‘Neon Summer Skin’ Holds Home in Every Beat June 11, 2026
  • Atwood Magazine’s Weekly Roundup: June 10, 2026 June 10, 2026
  • “So Alive and So Divine”: Basement Seize the Moment on “Time Waster” June 10, 2026
  • “I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release June 10, 2026
  • “Couldn’t Love Myself the Way That I Loved Him”: Big Guy & The Very Large Men Bring Hidden Love Into the Light on “Only Sin,” an Achingly Beautiful Acoustic Reckoning June 9, 2026
  • “Even God Won’t Guide You Now”: Litvar Give Grief’s Breaking Point a Voice on “Yeah I Know,” a Charged Indie Rock Eruption June 9, 2026
  • Live Review: Lorde Returns to the Governors Ball Stage with Energy, Catharsis, & Hints of Her Next Era June 9, 2026
  • Live Review: KATSEYE Return to the Stage With a Gnarly Governors Ball Performance – and Manon Still Isn’t There June 9, 2026
  • “Let’s Sing So Loud”: Tired of Fighting Trouble the Heavens on “Just for Me,” a Soul-Shaking Emo Punk Reckoning June 9, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
  • Bio Services