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Kayleigh Schweiker

Kayleigh Schweiker

Kayleigh Schweiker is a writer and photographer currently based in New York City. A lover of nature, travel, and art, you can often find her escaping the city, exploring one of New York’s many museums, or at a local band show.

Hannah Jadagu © Sam Wailbert
Features, Interviews, MusicDecember 10, 2025<December 10, 2025

Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains

Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

Recent Posts

  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
  • “Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope October 19, 2026
  • Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ October 16, 2026
  • “I Didn’t Realize I Could Just Be a Sandwich”: Chammeili on Imagination, Identity, and Releasing on Instinct October 16, 2026
  • Atwood Magazine’s Weekly Roundup: October 16, 2026 October 16, 2026
  • “The Sun Is Like a Garment”: Spring Term Blooms into a Radiant Era of Love & Possibility with “Jacaranda,” a Kaleidoscopic Indie Pop Fever Dream October 16, 2026
  • “As Long as We Keep Going Back to Each Other”: hey, nothing on Friendship, Burnout & Their Hard-Won Debut Album, ‘Hound’ October 15, 2026
  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
  • Bio Services