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Léa Jacquin-Gendrot

Essays, Fashion, PhotographyFebruary 12, 2015<February 16, 2015

Inside (Her) // Léa Gendrot for Atwood Magazine

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Recent Posts

“You’ve Been Everything I’ve Been Craving”: Jena Malone Makes Desire Feel Dangerous, Dreamy, & Utterly Irresistible in “You’ve Been on My Mind” April 23, 2026
“Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP April 23, 2026
“Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song April 23, 2026
Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning April 23, 2026
“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
“For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
“Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
“Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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