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Liz Wood

Liz Wood

Liz Wood is a 4th year English and Criminology double major at a college in Southern California. She is also a DJ and the Program Director for her campus' station, KUCI. Being a DJ sparked her interest in all types of music, and motivated her to pursue her current job in band management in Los Angeles, where she hopes to move and live out her dream within the next year.

Forebear // lyynks.com
Columns, Music, Today's SongSeptember 28, 2015<September 28, 2015

Today’s Song: Forebear Deal with Love and Loss on “People’s Champ”

Halsey 6.9
Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023

Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation

Columns, Music, Music Videos, Today's SongAugust 28, 2015<August 28, 2015

Today’s Song: Nostalgia and Restlessness in City City’s “Moving Through Life”

HOLYCHILD press photo
Debut, Features, Music, ReviewsJuly 14, 2015<July 14, 2015

Review: HOLYCHILD and the Power of Brat Pop

Passion Pit Kindred Press Pic
Features, Music, ReviewsJune 18, 2015<June 18, 2015

Change is a Good Thing: Passion Pit’s “Kindred” Takes on New, Happier Themes

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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  • 2025 Artists to Watch
  • Get Involved
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