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Liza

Liza

Liza is a former Atwood Magazine contributor.

Art, Columns, FeaturesNovember 10, 2015<November 10, 2015

Cool Kid Club: Corrinne James

Concerts, Music, Our Take, ReviewsNovember 4, 2015<November 4, 2015

Live: Beach House Preach Authenticity in Amsterdam

Art, Features, InterviewsNovember 2, 2015<November 2, 2015

Conversation with Florentine Pahl: Art as Reality

Art, Features, InterviewsJune 11, 2015<June 12, 2015

Conversation with Stian Ådlandsvik

Festival, Music, PreviewsMay 10, 2015<May 10, 2015

Festival Preview: Lava Music Festival – May 16, 2015

Art, Features, InterviewsApril 22, 2015<April 22, 2015

Construction of the Void: An Interview with Scott Hazard

Atwood Magazine Now Hiring
NewsMarch 31, 2015<March 31, 2015

Atwood Magazine Now Hiring

Columns, Today's SongFebruary 16, 2015<February 13, 2017

Today’s Song: “No Shade in the Shadow of the Cross” by Sufjan Stevens

Music, Our Take, ReviewsFebruary 10, 2015<June 6, 2018

Our Take: “I Love You, Honeybear” by Father John Misty

Art, Features, Interviews, MusicFebruary 4, 2015<February 4, 2015

A Conversation with Young & Sick

Music, Today's SongJanuary 22, 2015<January 22, 2015

Today’s Song: “Leaf Off / The Cave” by José González

Concert Conversations, Concerts, Music, Our Take, ReviewsJanuary 21, 2015<January 21, 2015

Concert Conversations: Sylvan Esso at The Jefferson

Columns, Music, Today's SongJanuary 14, 2015<February 13, 2017

Conversation with Artist Jon-Phillip Sheridan

Debut, Music, Our Take, ReviewsJanuary 10, 2015<January 10, 2015

Today’s Song: Experience by Kacy Hill

Conversation with John Waller
Art, Features, Interviews, PhotographyJanuary 9, 2015<January 9, 2015

Conversation with John Waller

Posts pagination
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Recent Posts

  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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    • Our Take
    • Debuts
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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