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Liza

Liza

Liza is a former Atwood Magazine contributor.

Mixtape, MusicAugust 3, 2014<August 6, 2014

Atwood Mixtape: August 2014 Soundtrack

Columns, Music, Nostalgia TracksAugust 2, 2014<August 2, 2014

Nostalgia Tracks: Youth Lagoon’s “The Year of Hibernation”, My Coming-of-Age Soundtrack

Debut, Music, Our TakeJuly 30, 2014<July 30, 2014

Our Take: A Review of SLEEPWALKERS’ debut LP “Greenwood Shade”

Cover for Transience & A Word from the Editor
UncategorizedJuly 17, 2014<April 16, 2020

Cover for Transience & A Word from the Editor

Essays, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

Essays, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

A Solitary Moment by Alexandra Votsis
Essays, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

Posts pagination
1 2 3 4

Recent Posts

  • “Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP April 23, 2026
  • “Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song April 23, 2026
  • Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning April 23, 2026
  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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