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Liza

Liza

Liza is a former Atwood Magazine contributor.

Mixtape, MusicAugust 3, 2014<August 6, 2014

Atwood Mixtape: August 2014 Soundtrack

Columns, Music, Nostalgia TracksAugust 2, 2014<August 2, 2014

Nostalgia Tracks: Youth Lagoon’s “The Year of Hibernation”, My Coming-of-Age Soundtrack

Debut, Music, Our TakeJuly 30, 2014<July 30, 2014

Our Take: A Review of SLEEPWALKERS’ debut LP “Greenwood Shade”

Cover for Transience & A Word from the Editor
UncategorizedJuly 17, 2014<April 16, 2020

Cover for Transience & A Word from the Editor

Essays, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

Essays, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

A Solitary Moment by Alexandra Votsis
Essays, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

Posts pagination
1 2 3 4

Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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