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Lucas Koprowski

Lucas Koprowski

I'm manic towards music. My favorite genres give me headaches after a half hour of listening.

Swans 2014 press photo
Columns, Music, Today's SongJune 27, 2017<June 27, 2017

Today’s Song: Swans’ “Oxygen” Injects Adrenaline into Your Ear Drums

A Crow Looked At Me - Mount Eerie
Music, Our Take, ReviewsJune 2, 2017<June 2, 2017

Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’

Worry - Jeff Rosenstock
Music, Our Take, ReviewsFebruary 27, 2017<February 27, 2017

Our Take: Jeff Rosenstock Gives New Meaning to the Word ‘WORRY.’

Aesop Rock © Ben Colen
Columns, Music, Today's SongJanuary 20, 2017<January 20, 2017

Today’s Song: Aesop Rock’s “Rings” Details Regrets of a Life That Could Have Been

Recent Posts

  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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