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Matthew Dunn

Matthew Dunn

Matt currently attends Pennsylvania State University where he spends his time booking house shows, writing for the school's culture magazine and exploring the great outdoors.

Dog Whistle - Show Me the Body
Music, Our Take, ReviewsApril 11, 2019<April 11, 2019

Our Take: Show Me the Body’s ‘Dog Whistle’ Is an Exhilarated Call for Community

Spectator © Nate Burrell
Music, PremieresMarch 25, 2019<March 25, 2019

Premiere: Spectator’s “The Only One” Is a Much-Needed Meditation

Mazy Fly - SPELLLING
Music, Our Take, ReviewsMarch 4, 2019<March 4, 2019

Our Take: Spellling’s ‘Mazy Fly’ Will Make You Believe in Magic

Swindle 2019
Columns, Music, Today's SongFebruary 22, 2019<February 22, 2019

Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too)

Posts pagination
1 2

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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    • Music You Should Know
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  • 2025 Artists to Watch
  • Get Involved
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