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Matthew Dunn

Matthew Dunn

Matt currently attends Pennsylvania State University where he spends his time booking house shows, writing for the school's culture magazine and exploring the great outdoors.

Grace Ludmila © 2020
Columns, Music, Today's SongJune 24, 2020<June 24, 2020

Today’s Song: Grace Ludmila’s New Single “Hollow” Stars Raw, Gripping Vocals

Sunbather © 2020
Music, PremieresJune 23, 2020<June 25, 2020

Premiere: Brisbane’s Sunbather Bring Forth Heavy Emotion on Debut EP ‘Brown Bread’

Features, Interviews, MusicMay 20, 2020<May 21, 2020

Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve

Features, Interviews, MusicApril 9, 2020<October 26, 2023

Growth in a Time of Stress: A Conversation with The Districts

Marlin's Dreaming © Cam Hay
Music, Music Videos, PremieresFebruary 19, 2020<February 18, 2020

Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim”

Michi © Ozzy Vidrio
Columns, Interviews, Music, Today's SongSeptember 17, 2019<September 17, 2019

Today’s Song: On the Run Again with Michi’s “Still Feel U”

Columns, Interviews, Music, Today's SongAugust 20, 2019<August 20, 2019

Today’s Song: Chela Stands Strong in “Heart O’ Hearts”

Honey Gentry © 2019
Music, PremieresAugust 7, 2019<August 6, 2019

Premiere: Lost in a Daydream with Honey Gentry’s Latest Single “Dreamlover”

Billie Gale
Music, PremieresJuly 16, 2019<July 16, 2019

Premiere: Billie Gale’s “The Rules” Is a Slow Build with a Lot to Say

Sywel Nyw © 2019
Debut, Music, PremieresJune 26, 2019<June 26, 2019

Premiere: Tackling the Barriers of Language with Sywel Nyw’s Debut Single “Jumping Fences”

Hatchie - Keepsake
Debut, Music, Our Take, ReviewsJune 24, 2019<June 24, 2019

Our Take: Hatchie’s ‘Keepsake’ Brings Forth Something Old, and Something New

Crumb - Jinx Album Art
Debut, Music, Our Take, ReviewsJune 18, 2019<June 18, 2019

Our Take: Crumb’s ‘Jinx’ Paves New Roads for Independent Music

The Drums © Nicholas Moore
Features, Interviews, MusicMay 6, 2019<May 6, 2019

Marching to Your Own Beat: A Conversation with The Drums

PUP © Vanessa Heins
Features, Interviews, MusicApril 30, 2019<April 30, 2019

In the Doghouse: A Conversation with Pop Punk Icons PUP

Loyle Carner © Charlie Cummings
Features, Interviews, MusicApril 19, 2019<April 19, 2019

Not Talking, But Listening: A Conversation with Loyle Carner

Posts pagination
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Recent Posts

  • “I Want to Be All Chalant”: Cherry Bomb Follows Her Intuition on ‘The Pursuit of Pleasure,’ a Glittering Disco Pop Debut November 13, 2026
  • “It’s Okay to Slow Down and Listen to Yourself”: Anna Shoemaker Builds a Life of Her Own on ‘Back to Pennsylvania,’ a Soul-Stirring Portrait of Homecoming, Self-Discovery, & Second Chances November 13, 2026
  • “A person in my own becoming”: Marie Dresselhuis Emphasizes the Innate Human Need for Connection and Imperfection in “Leave the Music” November 13, 2026
  • Track-by-Track: Livingmore Celebrate the Strange Beauty of Being Alive November 13, 2026
  • “Fun as Rebellion”: Babes in Canyon Laugh in the Face of the Apocalypse on “Look Outside,” a Feverish Indie Pop Joyride November 12, 2026
  • “I’ll Build a New World Brick by Brick”: Danny Malone Fights for His Future on “Better Things,” a Heart-Wrenching, Life-Affirming Anthem of Second Chances November 12, 2026
  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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