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Miles Campbell

Miles Campbell

the moss © Shervin Lainez
Features, Interviews, MusicJanuary 25, 2023<January 25, 2023

“The Most Honest Song I’ve Ever Written”: An Interview with the moss’ Tyke James

Peach Pit © Mackenzie Walker
Columns, Music, Today's SongJanuary 6, 2023<January 6, 2023

Today’s Song: “Up Granville” Is Peach Pit’s Ode to the Woes of Solitude

Surf Curse © Julien Sage
Columns, Music, Today's SongDecember 1, 2022<November 30, 2022

Today’s Song: Surf Curse’s “Self Portrait” Elevates the Beautifully Painful State of the Unknown

Posts pagination
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Recent Posts

  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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