• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Miranda Urbanczyk

Miranda Urbanczyk

Miranda Urbanczyk is a music journalist currently studying at Michigan State University. While loving a good article, she also is fascinated by photography. Outside of Atwood, she is the co-founder of Righteous Reviews and contributes to Best Left Magazine. Miranda can be reached at mirandaurban28@gmail.com.

They’re basking in the ‘Afterglow’: Midnight Til Morning © courtesy of the artist
Debut, Features, Interviews, MusicNovember 25, 2025<November 25, 2025

“We couldn’t imagine doing this alone”: Midnight Til Morning’s ‘Afterglow’ Is a Testament to Brotherhood, Trust, & the Bonds That Built the Band

Ax and the Hatchetmen 'So Much to Tell You' © Harry Bearows
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

Interview: Ax and the Hatchetmen’s ‘So Much to Tell You’ Turns Seven Years of Friendship, Shenanigans, & Coming-of-Age into a Defining Debut Album

The Moss © S-Curve Records
Columns, Music, Today's SongOctober 28, 2025<October 28, 2025

“No way I’m gonna waste my life”: The Moss’ “Oasis” Is an Anthem of Recentering & Growth

Sam Burchfield 'Nature Speaks' © Erin Burchfield
Interviews, MusicOctober 8, 2025<October 8, 2025

“Impatience Is One of My Best Qualities”: Sam Burchfield on Change, Fatherhood, Self-Discovery, & the Ways ‘Nature Speaks’ to Him

Ocean Alley 'Love Balloon' © Kane Lehanneur
Features, Interviews, MusicAugust 27, 2025<August 27, 2025

“Things That Make Us Feel Good”: Ocean Alley on Love, Positivity, and the Joy of Making ‘Love Balloon’

Royel Otis © Zora Sicher
Features, Interviews, MusicAugust 14, 2025<August 14, 2025

“Mostly Love & Burgers”: Royel Otis Dish on Heartbreak, Touring, & Their Sophomore Album ‘hickey’

bLAck pARty © Ehud Lazin, Lollapalooza 2025
Interviews, MusicAugust 11, 2025<August 11, 2025

“The Cheapest Therapy You Can Ever Get”: bLAck pARty Talks DJ Culture, Heartache, & the Healing Power of Music

Lollapalooza 2025 © Charles Reagan
Festival, Music, ReviewsAugust 7, 2025<August 7, 2025

Lollapalooza 2025 Is All Anyone Can Talk About, and We’re Here to Tell You Why

Lollapalooza 2025 © Ismael Quintanilla III
Festival, Music, PreviewsJuly 31, 2025<July 31, 2025

Preview: Lollapalooza 2025 Ends the Summer Off Right With an Unforgettable Lineup

Pretoria © Brady Olson
Interviews, Music, Track-by-TrackJuly 30, 2025<July 30, 2025

Track-by-Track: Pretoria Are Living Out Loud on ‘If We’re Pretending,’ an EP of Change, Authenticity, & the Art of Letting Go

Andy Tongren © Tyler Hansen, Eric Chase
Columns, Music, Today's SongJuly 13, 2025<July 13, 2025

Today’s Song: Andy Tongren Can’t Seem to Forget “Franconia,” and Neither Can We

Mac DeMarco © 2025
Columns, Music, Today's SongJune 30, 2025<June 30, 2025

Today’s Song: Mac DeMarco Redefines What “Home” Really Means

Matt Maltese © Vinca Petersen
Columns, Music, Today's SongMay 31, 2025<May 30, 2025

Today’s Song: Matt Maltese’s “Buses Replace Trains” Is a Symbol for Longing, Devotion, and True Love

Amie Blue © 2025
Columns, Music, Today's SongMay 14, 2025<May 14, 2025

Today’s Song: Amie Blu Channels Her Anxieties into the Intimate & Achingly Raw Anthem “swimming in pity”

Khamari © 2025
Columns, Music, Today's SongMay 2, 2025<May 2, 2025

Today’s Song: Khamari’s “Head in a Jar” Is a Collection of Inner Thoughts on Longing & Love

Posts pagination
1 2

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services