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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Pillowprince © Alexia Abarca
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: Pillowprince Channel Grief, Rage, & Resistance in Their Devastating Anthem “Care About”

Medium Build © Silken Weinberg
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025

“Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’

80Purppp © Quinn Duranda
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery

Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

Atwood Magazine's 115th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 21, 2025<March 24, 2025

Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias!

Anna Shoemaker 'Someone Should Stop Her' © Shervin Lainez
Features, Interviews, MusicMarch 20, 2025<March 20, 2025

“Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’

Atwood Magazine's 114th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025

Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!

Soda Blonde © 2025
Columns, Interviews, Music, Today's SongMarch 14, 2025<March 25, 2025

“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth

tryin to be born - Emile Mosseri
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’

Arcy Drive © 2025
Columns, Music, Today's SongMarch 13, 2025<March 13, 2025

“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)”

emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

Arny Margret © Gudmundur Kristinn Jonsson
Features, Interviews, Music, Track-by-TrackMarch 7, 2025<March 7, 2025

Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’

Atwood Magazine's 113th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 7, 2025<March 7, 2025

Editor’s Picks 113: Soot Sprite, Black Country, New Road, Spacey Jane, Joan & the Giants, The Ting Tings, & Brandon!

Posts pagination
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Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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