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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mumford & Sons' Marcus Mumford, Ben Lovett, and Ted Dwane © 2025
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025

“Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream

Bartees Strange © Elizabeth De La Piedra
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

“Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction

Alessia Cara 'Love & Hyperbole' © Alex Loucas
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy

Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

Luke Tyler Shelton © 2025
Artist to Watch, Columns, Music, Today's SongFebruary 13, 2025<February 13, 2025

Today’s Song: Luke Tyler Shelton’s Sun-Soaked “Love on My Mind” Shines With Vintage Warmth & Timeless Sound

Disaster Kid © 2025
Music, Music Videos, PremieresFebruary 12, 2025<February 12, 2025

Premiere: Chicago’s Disaster Kid Embrace Love & Schmaltz on “Wine/Weapon”

Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

Feature: Chicago Rapper Juice Mazelee on Legacy, Identity, and Why He’s ‘HERE NOW N FOREVER’

Julia Logan © Olof Grind
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

‘Faraway Nearby’: Julia Logan Explores Connection, Distance, & the Human Experience on Her Soul-Stirring Sophomore Album

Ziggy Alberts © Janneke Storm
Columns, Music, Today's SongFebruary 12, 2025<February 12, 2025

Today’s Song: Ziggy Alberts’ “I’m With You” Is a Sun-Kissed Celebration of Love, Adventure, & Life’s Simple Pleasures

Lucette © Sebestian Buzzalino
Music, PremieresFebruary 11, 2025<February 11, 2025

Premiere: Lucette’s “Too Soon for Sorry” Is a Smoky, Soulful Fever Dream of Regret & Late-Night Longing

bdrmm © Stew Baxter
Columns, Music, Today's SongFebruary 11, 2025<February 11, 2025

Today’s Song: bdrmm’s “John on the Ceiling” Is a Dark Wash of Shiver-Inducing Shoegaze

Atwood Magazine's 109th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 7, 2025<February 8, 2025

Editor’s Picks 109: Sharon Van Etten & The Attachment Theory, JayWood, Vacation Manor, Mumford & Sons, Dreamer Isioma, & Blind Pilot!

Mary Eliza © Katie Oscar
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2025<February 6, 2025

Loud, Vulnerable, & Raw: Mary Eliza Weaves Quiet Strength into a Sonic Reckoning on Debut Album ‘Spider’

ECHOS © Slater Goodson (Good Media)
Music, Music Videos, PremieresFebruary 6, 2025<February 6, 2025

Premiere: Echos Breaks Herself Open on “QUIET, IN YOUR SERVICE,” an Alt-Rock Anthem of Upheaval & Empowerment

Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

Posts pagination
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Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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