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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Stevie Bill © Monique Penders
Features, Interviews, Music, Track-by-TrackOctober 22, 2024<October 22, 2024

“Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair

Kemi Ade © Azu
Artist to Watch, Columns, Music, Today's SongOctober 21, 2024<October 23, 2024

Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight”

Daisy the Great © Alistair Barrell
Columns, Music, Today's SongOctober 19, 2024<October 19, 2024

Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’

Nick Ward © Joe Brennan
Debut, Features, Interviews, Music, Track-by-TrackOctober 18, 2024<October 18, 2024

“Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’

Mon Rovia © Glenn Ross
Artist to Watch, Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“The mission of my music is to heal with others”: A Conversation With Mon Rovîa

BLK ODYSSY © Bethany Reed
Features, Interviews, Music, Track-by-TrackOctober 17, 2024<October 24, 2024

Liberating, Cinematic, & Seductive: BLK ODYSSY Breaks the Mold on Third Album, ‘1-800 FANTASY’

allie © Rachel Bennett
Columns, Music, Today's SongOctober 17, 2024<October 17, 2024

“Skyscrapers in the back seat”: allie’s Indigo Indie Rock Anthem “Tiny Colored Pills” Aches With an Intimate Inner Yearning

Caroline Kingsbury © Lissyelle Laricchia
Features, Interviews, Music, Premieres, Track-by-TrackOctober 17, 2024<October 17, 2024

EP Premiere: Caroline Kingsbury’s ‘I Really Don’t Care!’ Is an Irresistible, Cinematic Celebration of Caring Too Much

Jo Hill © Phoebe Fox
Columns, Music, Today's SongOctober 16, 2024<October 16, 2024

Today’s Song: Jo Hill Soars on “ALL MY GIRLS ARE TOMBOYS,” a Spirited, Sun-Kissed Sisterhood Anthem

King Ibis © Robin Bottrell
Music, PremieresOctober 16, 2024<October 16, 2024

“Build me up to make me small”: Perth’s King Ibis Are Unleashed in Seductive Scorcher “Did You Dim the Lights”

paris_monster © Elizabeth Lauren West
Music, PremieresOctober 16, 2024<October 16, 2024

“Presently Dissolved”: Brooklyn’s paris_monster Add “Water to the Well” in an Electro-Funk Fury

High. © Aleko Syntelis
Columns, Music, Today's SongOctober 15, 2024<October 15, 2024

Today’s Song: High.’s “In a Hole” Is a Fever Dream of Gauzy, Glistening Grunge

Caroline Strickland © Aaron Champagne
Music, Music Videos, PremieresOctober 15, 2024<October 15, 2024

Premiere: Our Inner Voice Comes to Life in Caroline Strickland’s “Martha’s Calling,” a Song of Angst & Ache

L.S. Dunes © Luke Dickey
Columns, Music, Today's SongOctober 14, 2024<October 14, 2024

“You isolate and hibernate”: L.S. Dunes Return With “Fatal Deluxe,” a Tapestry of Supercharged Sonic Turmoil

Johnny Hunter "Hot Mess" © 2024
Columns, Music, Today's SongOctober 13, 2024<October 13, 2024

Today’s Song: Unleashing Our Inner Demons With Johnny Hunter’s Sleazy & Seductive “HOT MESS”

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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