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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Nicki Bluhm © Lauren Massie
Music, PremieresSeptember 2, 2025<September 2, 2025

“I’m Just Along for the Ride”: Nicki Bluhm Premieres “Tumbleweed,” a Radiant, Soulful Ode to Surrender & the Present Moment

Jack Garratt 'Pillars' © Wolf James
Features, Interviews, MusicSeptember 2, 2025<October 6, 2025

“There Are Red Flags All Over the Place”: Jack Garratt’s Big Risks Pay Off on ‘Pillars,’ an Unflinching Album of Love, Scars, & Survival

Lindsey Rose Black © Lauren Bennet
Columns, Music, Today's SongSeptember 1, 2025<September 1, 2025

“You Can’t Take the Cunt, Honey, Out of Country”: Lindsey Rose Black Is Unleashed in a Bold, Queer Feminist Fever Dream

Medium Build "Last Time" © Tyler Krippaehne
Columns, Music, Today's SongAugust 31, 2025<August 31, 2025

Medium Build Captures Life’s Beauty & the Ache of Endings in “Last Time,” a Smoky, Soulful, & Smoldering Seduction

Alabama Shakes © Bobbi Rich
Columns, Music, Today's SongAugust 30, 2025<August 30, 2025

“Can We Try Again?”: Alabama Shakes Return After a Decade with “Another Life,” a Seductive & Smoldering Fever Dream

Glom © Sebastian Mejias
Artist to Watch, Interviews, MusicAugust 29, 2025<August 29, 2025

“I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release

Angelsaur © Ivan Campos
Interviews, MusicAugust 29, 2025<August 29, 2025

“A Chaotic Feast”: Angelsaur Are Unraveled & Unfiltered on ‘The Girls Are Stressed,’ a Raw Reckoning With Everyday Life

Atwood Magazine's 132nd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 28, 2025<September 6, 2025

Editor’s Picks 132: Goldie Boutilier, Mothé, The Aces, Jack Garratt, G Flip, & Of Monsters and Men!

Lydia Luce "Mammoth" © Ryan Usher
Features, Interviews, MusicAugust 27, 2025<August 28, 2025

“It’s Just the Rhythm of Life”: Lydia Luce Climbs Mountains of Pain, Inner Peace, and Motherhood on ‘Mammoth’

Jackson Scribner © Brendan Blaney
Music, PremieresAugust 27, 2025<August 27, 2025

“A Self-Reflection Inside a Song”: Jackson Scribner Finds Midnight Solace in “Mr. Moon,” a Haunting Indie Folk Confessional

Luca Fogale "For" © Brandon Artis
Music, PremieresAugust 27, 2025<August 27, 2025

“For Honour, For Family, For Harmony”: Luca Fogale Premieres “For,” a Spellbinding Indie Folk Surrender to Love, Purpose, & the Race Against Time

S.G. Goodman © Ryan Hartley
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 22, 2025

“We Are Nature’s Children, and We Should Act Accordingly”: S.G. Goodman’s ‘Planting by the Signs’ Is a Soul-Stirring Record of Ancient Ritual & Living Legacy

Bleach Lab © Alex Esden
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 27, 2025

“Holding Up the Whole Weight of the Sky”: Bleach Lab Unleash Fire & Fury on ‘Close to the Flame,’ a Devastating Dream Pop Reverie

Atwood Magazine's Weekly Roundup | August 22, 2025
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025

Atwood Magazine’s Weekly Roundup: August 22, 2025

Louie Blue "In The Dark" © Julian Riikonen
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025

“I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style

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Recent Posts

  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
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  • New Music Releases
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