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Nadia Hansen

Nadia Hansen

Just a girl who likes to do cool stuff while switching between homes in Toronto and Ottawa in the Great Up North. I'm also someone who religiously listens to hip hop, R&B, jazz and every genre between them. Not really sure who I am yet, but music helps me figure out the bits and pieces.

The Colour In Anything - James Blake
Features, Music, Our Take, ReviewsMay 20, 2016<January 25, 2019

Our Take: The Dissonant Beauty of James Blake’s “The Colour in Anything”

Amir Obè
Columns, Music, Today's SongApril 4, 2016<April 4, 2016

Today’s Song: “Before the Vomit,” Amir Obè’s Drunken Confession

Pretty Sister
Columns, Music, Today's SongMarch 17, 2016<March 17, 2016

Today’s Song: Pretty Sister’s “Drive” is a Youthful Tribute to the Summer

Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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