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Nadia Hansen

Nadia Hansen

Just a girl who likes to do cool stuff while switching between homes in Toronto and Ottawa in the Great Up North. I'm also someone who religiously listens to hip hop, R&B, jazz and every genre between them. Not really sure who I am yet, but music helps me figure out the bits and pieces.

The Colour In Anything - James Blake
Features, Music, Our Take, ReviewsMay 20, 2016<January 25, 2019

Our Take: The Dissonant Beauty of James Blake’s “The Colour in Anything”

Amir Obè
Columns, Music, Today's SongApril 4, 2016<April 4, 2016

Today’s Song: “Before the Vomit,” Amir Obè’s Drunken Confession

Pretty Sister
Columns, Music, Today's SongMarch 17, 2016<March 17, 2016

Today’s Song: Pretty Sister’s “Drive” is a Youthful Tribute to the Summer

Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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