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Nadia Hansen

Nadia Hansen

Just a girl who likes to do cool stuff while switching between homes in Toronto and Ottawa in the Great Up North. I'm also someone who religiously listens to hip hop, R&B, jazz and every genre between them. Not really sure who I am yet, but music helps me figure out the bits and pieces.

The Colour In Anything - James Blake
Features, Music, Our Take, ReviewsMay 20, 2016<January 25, 2019

Our Take: The Dissonant Beauty of James Blake’s “The Colour in Anything”

Amir Obè
Columns, Music, Today's SongApril 4, 2016<April 4, 2016

Today’s Song: “Before the Vomit,” Amir Obè’s Drunken Confession

Pretty Sister
Columns, Music, Today's SongMarch 17, 2016<March 17, 2016

Today’s Song: Pretty Sister’s “Drive” is a Youthful Tribute to the Summer

Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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