• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Nicolle Knapová

Nicolle Knapová

Nicolle Knapová is a Czech writer, music journalist, and creative powerhouse with a Master’s degree in Creative Writing and Publishing from Bournemouth University. Now a contributing writer for Atwood Magazine, she specializes in emotionally rich song reviews that explore the intersection of music, memory, and identity. When she’s not analyzing lyrics or crafting moody fiction, Nicolle can be found hunting for the perfect playlist, romanticizing rainy afternoons, or working on her debut novel under the pen name Elise Caverly.

Arnault Hardy © Nicolas Saint Maur
Debut, Features, Interviews, MusicDecember 8, 2025<December 8, 2025

From the Dancefloor to the Deep End: Arnault Hardy Enters His Solo Era with “One After Another”

Joelton Mayfield © Hunt Pennington
Debut, Features, Interviews, MusicDecember 1, 2025<December 2, 2025

Interview: Joelton Mayfield Opens Up About ‘Crowd Pleaser,’ a Testament to True Friendship & One Hell of a Genesis to Grief

Madilyn Mei 'A Thousand Songs About It All: Act 1' © Emily Minerowicz
Features, Interviews, MusicNovember 19, 2025<November 19, 2025

Madilyn Mei’s One-Man Circus: Queer Joy, Clown Costumes, & 1000 Songs About Everything

Paris Paloma "Good Boy" © Phoebe Fox
Features, Interviews, MusicNovember 5, 2025<November 7, 2025

A World on Fire and a Song to Match: Paris Paloma’s “Good Boy” Era Has Arrived

Indigo De Souza © Hannah Sommer
Features, Interviews, MusicOctober 29, 2025<October 29, 2025

“I’m less afraid to embody joy now”: Indigo De Souza Stares Down the Edge and Dives into Hope on ‘Precipice’

Anna Lynch © 2025
Debut, Interviews, MusicOctober 28, 2025<October 28, 2025

“Wake Up” & Bloom: Anna Lynch Is Writing Her Way Back to Herself

Alessi Rose © Sophie Scott
Music, ReviewsOctober 7, 2025<October 7, 2025

Review: Alessi Rose’s ‘Voyeur’ Is Confessional Pop at Its Most Dazzling

Dynamyte © Melanie Veronica
Columns, Interviews, Music, Today's SongOctober 6, 2025<October 6, 2025

From Behind the Drum Kit to Center Stage: Dynamyte Unleashes the Fear and Fire of “Probably”

Paris Paloma "Good Boy" © Phoebe Fox
Columns, Music, Today's SongSeptember 29, 2025<September 29, 2025

Paris Paloma’s “Good Boy” Is a Scorching Anti-Capitalist, Feminist Anthem for the Working Class

Lois © studio SODIUM
Interviews, Music, ReviewsSeptember 22, 2025<September 29, 2025

Interview: Lois Is Rewriting the Rules With ‘SEVEN’ – And We’re Listening

Sydney Rose © Sofia Valladares
Interviews, Music, Today's SongSeptember 17, 2025<September 18, 2025

When Letting Go Feels Like the Only Way to Survive: “I Stopped Trying” by Sydney Rose & Delaney Bailey

Sydney Rose © Sofia Valladares
Features, Interviews, MusicSeptember 4, 2025<September 4, 2025

“I Want to Be as Real and as Vulnerable as Possible”: Finding Peace in Simplicity with Sydney Rose

Maggie Lindemann 'i feel everything' © 2025
Features, Interviews, MusicAugust 29, 2025<August 29, 2025

“This Is a War Cry”: Maggie Lindemann on ‘i feel everything’ and Owning Her Chaos

Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

Posts pagination
1 2

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services