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Noah Berghammer

Noah Berghammer

Noah Berghammer is a 24-year-old film director and writer who lives in the Lower East Side of Manhattan. He has worked with brands like Reza, JB3 Official, and Zara, and has been featured in Alternative Press Magazine, Nylon Magazine, and Rolling Stone Magazine, among others. Website: noahbergscreative.com

Rose Paradise "Tangerine" © Sofia Ziman
Columns, Interviews, Music, Today's SongJuly 27, 2024<July 26, 2024

Today’s Song: Rose Paradise Goes Back to Her Roots With “Tangerine” & Her Upcoming Debut Album

Simone © 2024
Columns, Music, Today's SongMay 20, 2024<May 20, 2024

Today’s Song: Simone Is an Old Soul, in Personality & Sound, in New Single “Linger”

She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

Telescreens © Kylie Bly
Music, Reviews, This Just InApril 15, 2024<April 15, 2024

“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers

Whitworth "World War" © Diana Hardage
Columns, Music, Today's SongApril 9, 2024<April 9, 2024

“Love is the motive”: Whitworth’s “World War” Is a Witty Indie Boy Banger

Cab Ellis © 2022
Columns, Music, Music You Should KnowMarch 4, 2024<March 11, 2024

Music You Should Know: Cab Ellis’ “The East Coast Hold On” Puts a Pep in Your Step, Intoxicating With a Sense of New York Wonder

dba James © Alec Ilstrup
Concerts, Essays, MusicFebruary 22, 2024<February 23, 2024

dba James Is Doing Business As Usual

Sid Simons © Elliott Atkinson
Concerts, EssaysDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

Telescreens © Matt Weinberger
Concerts, Essays, MusicSeptember 19, 2023<February 10, 2025

“Rock n’ Roll Lives in New York City”

Recent Posts

  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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