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Noah Berghammer

Noah Berghammer

Noah Berghammer is a 24-year-old film director and writer who lives in the Lower East Side of Manhattan. He has worked with brands like Reza, JB3 Official, and Zara, and has been featured in Alternative Press Magazine, Nylon Magazine, and Rolling Stone Magazine, among others. Website: noahbergscreative.com

Rose Paradise "Tangerine" © Sofia Ziman
Columns, Interviews, Music, Today's SongJuly 27, 2024<July 26, 2024

Today’s Song: Rose Paradise Goes Back to Her Roots With “Tangerine” & Her Upcoming Debut Album

Simone © 2024
Columns, Music, Today's SongMay 20, 2024<May 20, 2024

Today’s Song: Simone Is an Old Soul, in Personality & Sound, in New Single “Linger”

She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

Telescreens © Kylie Bly
Music, Reviews, This Just InApril 15, 2024<April 15, 2024

“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers

Whitworth "World War" © Diana Hardage
Columns, Music, Today's SongApril 9, 2024<April 9, 2024

“Love is the motive”: Whitworth’s “World War” Is a Witty Indie Boy Banger

Cab Ellis © 2022
Columns, Music, Music You Should KnowMarch 4, 2024<March 11, 2024

Music You Should Know: Cab Ellis’ “The East Coast Hold On” Puts a Pep in Your Step, Intoxicating With a Sense of New York Wonder

dba James © Alec Ilstrup
Concerts, Essays, MusicFebruary 22, 2024<February 23, 2024

dba James Is Doing Business As Usual

Sid Simons © Elliott Atkinson
Concerts, EssaysDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

Telescreens © Matt Weinberger
Concerts, Essays, MusicSeptember 19, 2023<February 10, 2025

“Rock n’ Roll Lives in New York City”

Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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