• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Rachel Leong

Rachel Leong

Queen Quail "Narcissus" © Celeste Call
Music, ReviewsNovember 21, 2025<November 21, 2025

One for the Dreamers, the Philosophers, and the Reckoning: Queen Quail’s ‘Narcissus’ EP Is a Sparkling Ode to Identity & Belonging in Your 20s

Good Kid © Evie Maynes
Columns, Interviews, Music, Today's SongNovember 17, 2025<November 19, 2025

Interview: Good Kid on Vulnerability, Community, & Independence on “Wall”

fantom EP - Wes Parker
Music, ReviewsNovember 10, 2025<November 10, 2025

The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry

Nick Mulvey © Dom Palmer
Features, Interviews, MusicOctober 29, 2025<October 30, 2025

“Part 1 was the inhale, and Part 2 is the exhale”: Nick Mulvey Harvests, Becomes, and Shines in ‘Dark Harvest Pt. 2’

Justin Bieber 'SWAG' © Renell Medrano
Music, ReviewsJuly 14, 2025<July 14, 2025

Justin Bieber’s Surprise Record ‘SWAG’ Is a Wonderfully Fragmented Reflection on Life of Late

Dark Harvest, Pt. 1 - Nick Mulvey
Music, ReviewsJune 25, 2025<June 25, 2025

Rising from the Ashes: Nick Mulvey Returns with Highly-Anticipated Fourth Album, ‘Dark Harvest, Pt. 1’

Calum Hood 'ORDER chaos ORDER' © Sarah Eiseman
Debut, Features, Interviews, MusicJune 13, 2025<June 13, 2025

Chaos, Clarity & Coming Home: Calum Hood of 5SOS on Stepping into His Own with Solo Debut ‘ORDER chaos ORDER’

Labit © Erica Hernandez
Columns, Music, Today's SongMay 22, 2025<May 22, 2025

Today’s Song: Labit’s “MANGOES AND RICE” Is a Heartfelt Love Letter to His Filipino-American Identity

Jeffers Insley "Honey" © 2025
Columns, Music, Today's SongMay 20, 2025<May 20, 2025

Today’s Song: Jeffers Insley Shines Through the Intimate Raw Soundscapes of “Honey”

spill tab 'ANGIE' © Neema Sadeghi
Debut, Features, Interviews, MusicMay 16, 2025<August 22, 2025

Interview: spill tab on the Playful Creativity, Unabashed Experimentation, & Dynamic World Building of ‘ANGIE’

Clara Mann © Ella Margolin
Debut, Features, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’

You Are the Morning - jasmine.4.t
Debut, Features, InterviewsFebruary 21, 2025<February 21, 2025

“The light still breaks through each morning”: jasmine.4.t on the Hope, Healing, & Community Behind ‘You Are the Morning’

James Bay at OVO Arena Wembley © Jake Haseldine, February 2025
Concerts, Music, ReviewsFebruary 18, 2025<February 18, 2025

Live Review: James Bay Electrifies a Sold Out Crowd at London’s OVO Arena Wembley

Joy Crookes "Pass the Salt" © 2025
Columns, Music, Today's SongJanuary 24, 2025<January 24, 2025

Bold, Fierce, & Fresh: Joy Crookes Makes a Powerful Return With “Pass the Salt” ft. Vince Staples

Samia "Bovine Excision" © Sarah Ritter
Music, Reviews, This Just InJanuary 21, 2025<January 21, 2025

This Just In: Samia Treads Harder Ground With Piercing New Song, “Bovine Excision”

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services