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Regan Wojick

Regan Wojick

Regan is a 20 year old writer for Atwood Magazine as well as the local Los Angeles art & music magazine, Amadeus. She also runs her own small music blog called musikmusing.co. She loves all things having to with music and is an avid concert goer. She has a hunger for discovering new artists and is always interested in their roots, thought process, and why they do what they do. Regan loves movies, books, film scores, dogs, coffee, playing music, watching "Chopped," and pop music with substance. Her favorite artists are Marina and the Diamonds, Courtney Barnett, Daniel Johnston, Banks, the Smiths, Father John Misty, Grimes, Perfume Genius, and many many more. I hope my music choices make your ears happy!

Sevdaliza © Zahra Reijs
Columns, Music, Music Videos, Today's SongDecember 15, 2016<December 15, 2016

Today’s Song: Sevdaliza Hypnotizes Us with the Otherworldly “Human”

Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

Pond © 2016
Columns, Music, Today's SongOctober 24, 2016<October 24, 2016

Today’s Song: “Sweep Me Off My Feet” is POND’s Ode to Male Romantics

BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

Lorde
Columns, Music, Nostalgia TracksSeptember 1, 2016<August 31, 2016

Nostalgia Tracks: Lorde’s Teen Angst Anthem “Ribs”

Savoir Adore © Dana Pacifico
Features, Interviews, MusicAugust 24, 2016<August 26, 2016

Finding “The Love That Remains” After Loss: A Conversation with Savoir Adore

Wens © Andreas Öhman, Jenni Gabelman
Columns, Debut, Music, Today's SongJuly 28, 2016<July 28, 2016

Today’s Song: Living and Listening to Your “Bones” with Wens

The Avalanches Colours 2016
Columns, Music, Today's SongJune 30, 2016<June 28, 2016

Today’s Song: The Avalanches are Seeing “Colours”

MØ © Fryd Frydendahl
Columns, Music, Today's SongMay 23, 2016<May 23, 2016

Today’s Song: Finding Rhythm and Soul with MØ in “Final Song”

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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