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Tracy Smith

Tracy Smith

I'm a Los Angeles native currently attending the University of California, Santa Barbara as a psychology major. Music runs through my veins and write about it because it helps me understand it better.

Encyclopedia - The Drums
Columns, Music, Music You Should Know, ReviewsMarch 3, 2017<March 3, 2017

Music You Should Know: The Encyclopedia for Timeless Music, The Drums’ ‘Encyclopedia’

XYLØ © Anna Maria Lopez
Features, Interviews, MusicJanuary 11, 2017<December 4, 2017

Getting Below the Root of Mystic Barriers: A Conversation with XYLØ

Bad Suns © Elliot Lee Hazel
Music, Our Take, ReviewsNovember 10, 2016<November 10, 2016

Our Take: Taking Flight with Bad Suns’ Sophomore Album ‘Disappear Here’

Springtime Carnivore © Julia Brokaw
Columns, Music, Today's SongOctober 31, 2016<October 31, 2016

Today’s Song: Echoes of Growth and Self-Worth in Springtime Carnivore’s “Nude Polaroids”

Is the Is Are - DIIV
Columns, Music, Music You Should Know, Our Take, ReviewsOctober 13, 2016<October 13, 2016

Music You Should Know: DIIV-ing into DIIV’s ‘Is The Is Are’

Inner Wave
Columns, Music, Today's SongSeptember 19, 2016<September 19, 2016

Today’s Song: The Uneasy, Love-Struck Melodies of Inner Wave’s “College Curls”

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
    • Debuts
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  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • 2025 Artists to Watch
  • Get Involved
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