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Yashavi Upasani

Yashavi Upasani

Yashavi Upasani is a writer and filmmaker based in Boston, but started her music journalism career as a teenager growing up in D.C. She’s the designated aux-player for long car rides, house parties, and will always make time to attend a show. When she’s not writing about music, Yashavi is reporting on Boston news, working on a controversial op-ed, or at the movie theater.

Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

Recent Posts

  • Atwood Magazine’s Weekly Roundup: May 1, 2026 May 1, 2026
  • Meet Moody Joody: Three Musicians, Two Prevailing Moods, One Awesome Pop Trio Worth Keeping Your Eyes On May 1, 2026
  • “I’m Gonna Keep on Throwing Curveballs”: Brett Emmons Starts Fresh as John Shambles on ‘Cabin Fever,’ His Most Honest, Unvarnished Work Yet May 1, 2026
  • “My Limerence Just Fell on You”: NYC’s People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie May 1, 2026
  • “No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria April 30, 2026
  • “The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory April 30, 2026
  • “We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning April 30, 2026
  • “God Forbid She Shows Emotion”: Annabelle Dinda Stakes Her Claim on ‘Some Things Never Leave,’ a Fearless Debut Album About Memory, Identity, & Emotional Residue April 29, 2026
  • A Night with Audrey Hobert at Cherry Lane Theatre April 29, 2026
  • Roundtable Discussion: A Review of Hilary Duff’s ‘ luck… or something’ April 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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