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Yashavi Upasani

Yashavi Upasani

Yashavi Upasani is a writer and filmmaker based in Boston, but started her music journalism career as a teenager growing up in D.C. She’s the designated aux-player for long car rides, house parties, and will always make time to attend a show. When she’s not writing about music, Yashavi is reporting on Boston news, working on a controversial op-ed, or at the movie theater.

Emma Louise "Sunshine for Happiness" © Sam Kristofski
Music, ReviewsMay 27, 2026<May 27, 2026

“I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’

Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

Annabelle Dinda © Yashavi Upasani
Concerts, Music, ReviewsMay 6, 2026<May 6, 2026

Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour

Friko 'Something Worth Waiting For' album art
Music, ReviewsMay 4, 2026<May 4, 2026

Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’

Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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