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Yashavi Upasani

Yashavi Upasani

Yashavi Upasani is a writer and filmmaker based in Boston, but started her music journalism career as a teenager growing up in D.C. She’s the designated aux-player for long car rides, house parties, and will always make time to attend a show. When she’s not writing about music, Yashavi is reporting on Boston news, working on a controversial op-ed, or at the movie theater.

Railbird Festival 2026 © Andrea Escobar Garcia
Festival, Music, ReviewsJune 22, 2026<June 22, 2026

Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together

Emma Louise "Sunshine for Happiness" © Sam Kristofski
Music, ReviewsMay 27, 2026<May 27, 2026

“I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’

Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

Annabelle Dinda © Yashavi Upasani
Concerts, Music, ReviewsMay 6, 2026<May 6, 2026

Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour

Friko 'Something Worth Waiting For' album art
Music, ReviewsMay 4, 2026<May 4, 2026

Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’

Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

Recent Posts

  • “Shake Up the Scene”: Burlington Indie Rockers Brunch Reexamine Rock ’n’ Roll Mythology Through a Modern Lens November 4, 2026
  • “I Don’t Want a Picket Fence”: Bekah Bossard Finds the Sweetness in Letting Go with “American Dream,” a Tender, Towering Indie Pop Anthem November 4, 2026
  • “Subconscious Exfoliation”: London’s Bone China Bare Their Souls on “Heaven Now,” a Blistering, Grunge-Soaked Debut November 4, 2026
  • Festival Feature: Same Same But Different Creates a Home for Music, Creativity, and the Joy of Being Present November 3, 2026
  • Live Review: Geese Play to the Living and the Dead at Hollywood Forever November 3, 2026
  • “Music Is Meant to Be Shared”: Carlin Tripp on ‘Dead Reckoning,’ Community, and More Than Two Decades of Songwriting November 3, 2026
  • “Just to Write a Name in the Dust”: Asha Wells Honors the Love That Couldn’t Last on the Beautifully Spellbinding “Gift Horse” November 3, 2026
  • “Won’t You Follow Me Now”: Chicago’s The Back Alley Carry Love and Longing into a New Era on “Pick Me Up,” a Magnetic Reintroduction November 3, 2026
  • Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails! October 31, 2026
  • “I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage October 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
  • Bio Services