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Yashavi Upasani

Yashavi Upasani

Yashavi Upasani is a writer and filmmaker based in Boston, but started her music journalism career as a teenager growing up in D.C. She’s the designated aux-player for long car rides, house parties, and will always make time to attend a show. When she’s not writing about music, Yashavi is reporting on Boston news, working on a controversial op-ed, or at the movie theater.

Railbird Festival 2026 © Andrea Escobar Garcia
Festival, Music, ReviewsJune 22, 2026<June 22, 2026

Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together

Emma Louise "Sunshine for Happiness" © Sam Kristofski
Music, ReviewsMay 27, 2026<May 27, 2026

“I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’

Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

Annabelle Dinda © Yashavi Upasani
Concerts, Music, ReviewsMay 6, 2026<May 6, 2026

Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour

Friko 'Something Worth Waiting For' album art
Music, ReviewsMay 4, 2026<May 4, 2026

Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’

Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

Recent Posts

  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
  • Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ October 14, 2026
  • Baby Rose Turns Heartbreak into Self-Preservation on “Better,” a Soulful Reflection on Missing Someone While Still Choosing Yourself October 13, 2026
  • “Got Some Damage I Can Show Ya”: The Upsides Confront Adulthood’s Chaos Together on ‘In the Maze,’ a Roaring, Cathartic Indie Rock Reckoning October 13, 2026
  • “Every Step I Fall”: Antonio Miguel Areia Dances with Desperation on “Zugzwang,” a Seductive Debut of His ‘Evil Bossa’ Sound October 13, 2026
  • “Powerful, Soft, & Sincere”: Wilby Lays Her Soul Bare on ‘Center of Affection,’ an Intimate Indie Rock Debut Fueled by Love, Reckoning, and Hard-Won Tenderness October 13, 2026
  • “How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion October 12, 2026
  • Atwood Magazine’s Weekly Roundup: October 12, 2026 October 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Features
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  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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  • New Music Calendar
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  • Get Involved
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