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Yashavi Upasani

Yashavi Upasani

Yashavi Upasani is a writer and filmmaker based in Boston, but started her music journalism career as a teenager growing up in D.C. She’s the designated aux-player for long car rides, house parties, and will always make time to attend a show. When she’s not writing about music, Yashavi is reporting on Boston news, working on a controversial op-ed, or at the movie theater.

Railbird Festival 2026 © Andrea Escobar Garcia
Festival, Music, ReviewsJune 22, 2026<June 22, 2026

Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together

Emma Louise "Sunshine for Happiness" © Sam Kristofski
Music, ReviewsMay 27, 2026<May 27, 2026

“I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’

Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

Annabelle Dinda © Yashavi Upasani
Concerts, Music, ReviewsMay 6, 2026<May 6, 2026

Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour

Friko 'Something Worth Waiting For' album art
Music, ReviewsMay 4, 2026<May 4, 2026

Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’

Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

Recent Posts

  • “Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock September 23, 2026
  • “Choosing Each Other Every Day”: Chicago’s The Empty Pockets Make a Love Song Out of the Daily Grind on “I Never Get Sick of You” September 23, 2026
  • “There’s a Little Secret Knowing Between Us”: Penelope Isles Turn a Decade of Sibling Shorthand into ‘3,’ a Third Album That Trades Perfectionism for Instinct September 23, 2026
  • Roundtable Discussion: A Review of Paul McCartney’s ‘The Boys of Dungeon Lane’ September 22, 2026
  • Songs that Refuse to Stay in the Past: Colin Hay on Returning to the Stage As Men at Work September 22, 2026
  • “You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie September 22, 2026
  • Emma Ruth Rundle Explores the Space Between Hope and Desperation on ‘These Killing Times’ September 18, 2026
  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services