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Yashavi Upasani

Yashavi Upasani

Yashavi Upasani is a writer and filmmaker based in Boston, but started her music journalism career as a teenager growing up in D.C. She’s the designated aux-player for long car rides, house parties, and will always make time to attend a show. When she’s not writing about music, Yashavi is reporting on Boston news, working on a controversial op-ed, or at the movie theater.

Railbird Festival 2026 © Andrea Escobar Garcia
Festival, Music, ReviewsJune 22, 2026<June 22, 2026

Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together

Emma Louise "Sunshine for Happiness" © Sam Kristofski
Music, ReviewsMay 27, 2026<May 27, 2026

“I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’

Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

Annabelle Dinda © Yashavi Upasani
Concerts, Music, ReviewsMay 6, 2026<May 6, 2026

Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour

Friko 'Something Worth Waiting For' album art
Music, ReviewsMay 4, 2026<May 4, 2026

Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’

Andrea Bejar "Delicately" © Summer Schantz
Columns, Music, Today's SongApril 10, 2026<April 10, 2026

“You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”

Recent Posts

  • “One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS” July 24, 2026
  • “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ July 24, 2026
  • Atwood Magazine’s Weekly Roundup: July 24, 2026 July 24, 2026
  • Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead! July 23, 2026
  • “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” July 23, 2026
  • “I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition July 23, 2026
  • “I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present July 23, 2026
  • “It’s a Shallow World but I’m a Big Girl Now”: Chess Smith Turns Betrayal into a Pure Pop Celebration on “I’m Dead To You (And That’s OK)” July 23, 2026
  • “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop July 22, 2026
  • “It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship July 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
  • Bio Services