Singer/songwriter Annabelle Dinda held nothing back on the opening night of her 2026 headline tour, bringing songs from ‘Some Things Never Leave,’ fan favorites, and unreleased music to a rapturous sold-out Boston crowd.
Stream: “The Hand” – Annabelle Dinda
After TikTok virality with her anthem “The Hand,” Annabelle Dinda – who has spent over a decade honing her craft – began her headlining tour with a sold-out show in Boston.
Early in the night, the Philadelphia native confessed this was her “second live show” ever, which was hard to believe considering her lively stage presence and strong control over the emotions of the event.
At Brighton Music Hall, people gathered in long skirts and lace garments, waiting in anticipation of Dinda to take center stage and share her songs. As she waltzed through each track, taking brief moments to speak to the audience in between, the crowd was right there with her, singing along to every lyric and asserting her image as star-like.

Dinda opened with “Big News Day,” the first song on her latest album Some Things Never Leave. The vibe was immediately set: Loud, joyous despite dreary lyrics, and meant to bring people together under a shared love of her work.
I had a bad Tuesday,
at least it’s a news day
But I’ll probably wake up
pissed in the morning
So what if I’m callous?
I’ll call it a talent
And revel in all of the
sh!t you’re ignoring
God, people are boring
– “Big News Day,” Annabelle Dinda
And the following two songs, “Cosmic Microwave Background” and “Doesn’t Matter,” both from her new album, kept the energy strong, the crowd dancing along as she captivated them with her songwriting prowess.
Equipped with a lyric book resting on a choir stand on stage, Dinda joked often between the silences as she flipped through the pages.
“You guys probably know more of the words off the top of your heads than I do,” she said, and it wouldn’t be inaccurate. For the start of her tour, with no setlist revealed, the majority of the audience knew every song, every sentence, and didn’t hesitate to yell them out to her.
She slowed down to perform “Satellites,” she and her touring band amping up the intensity of the already gut-wrenching piece by playing a more rock-heavy version, deep with bass and guitar beats that turned devastation into anger.

A lot of Dinda’s set was focused on tracks from Some Things Never Leave, including “Everyone Likes To Be Forgiven,” a song dedicated to her best friend who accompanied her to the show. Toward the middle of her gig, Dinda’s archetype as a musician really shone as she played what she creates best: Lyrically poetic songs fueled by the emotion in her voice. In the studio, paired with high-level production and equipment, Dinda’s voice is strong. But hearing it live, her larger-than-life range and deep control over the strength of each annunciation magnifies, and the audience can’t help hearing the emphasis she places on her words.
With “Gunpoint, Headlock” and “The Body Remembers,” Dinda did just that, holding the audience’s hand as she works through the intense, but somber pieces.

“I’m just so happy to be here,” Dinda told the crowd, and that was evident from the smile that never left her face.
Rocking her head along with the sea of people before her, jumping up and down on stage, and answering yells from listeners asking her to play specific songs, Dinda looked alive on stage.
Toward the end of her set, Dinda debuted an unreleased song titled “Americana (The World Is Changing).” It’s another example of her rambling-like style, getting out all her words and feelings through verses and a chorus that articulates the weight of the world around her.
After, she picked up an acoustic guitar to play “Good Things,” another song that blew up on TikTok. The crowd screamed along to the song, getting louder each time Dinda repeated the lyric, “I’ve got the rest of my life.” After telling the crowd that “this is what they’ve been waiting for,” she jumped into “The Hand,” getting louder with the audience as the song carried through.


Dinda closed her set with “Blunt Force and Bomb Dog” and “Egg On Your Head,” both songs from older EP’s and albums. Still, her audience knew the words, and was devastated to see her played out by her touring band and leave the stage for the night.
Dinda is a rare example in our digital-heavy world. A deeply talented artist who rose to fame through the allegedly fickle nature of internet trendiness. Yet, she’s managed to go beyond what few could, and assert herself as a sold-out show-worthy creative, someone who is far more than a couple million views and instead, a soul that commands long-lasting attention.
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