October 26, 2023<October 26, 2023 Nostalgia, Optimism, & Love Songs to My Girlfriend’s Dog: A Conversation with Jaguar Sun by Kate Millar
October 25, 2023<October 25, 2023 Interview: From Dramatic Moments to Memorable Sonics, Fake Dad Dish It All by Chloe Robinson
October 24, 2023<October 25, 2023 Feature: Sarah Klang’s ‘Mercedes’ Is a Cinematic & Stunningly Soulful Coming of Age by Mitch Mosk
October 24, 2023<October 23, 2023 Soul-Searching in Song: An Interview with Irish Indie Pop Band milk. by Mitch Mosk
October 23, 2023<October 24, 2023 Sassy, Sentimental, & Radical Chic: From Italy to Philly, Santa Chiara’s ‘IMPORTED’ Tells Stories of Love & Life by Mitch Mosk
October 20, 2023<October 27, 2023 Atwood Magazine’s Weekly Roundup: October 20, 2023 by Atwood Magazine Staff
October 20, 2023<October 29, 2023 Feature: Dive Headfirst into shallow pools’ Urgent, Empowering, & Irresistible Debut Album ‘I Think About It All the Time’ by Mitch Mosk
October 20, 2023<October 20, 2023 Maximalist, Homemade, & Joyful: A Guide to sister.’s Deeply Vulnerable Debut Album, ‘Abundance’ by Mitch Mosk
October 20, 2023<October 20, 2023 Interview: MisterWives Reflect on Their ‘Nosebleeds’ Era and Face-Melting Don’t Look Down Tour by Kelly McCafferty Dorogy
October 19, 2023<October 19, 2023 “Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’ by Mitch Mosk
October 18, 2023<October 17, 2023 Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings by Mitch Mosk
October 16, 2023<October 16, 2023 Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’ by Mitch Mosk
October 13, 2023<October 13, 2023 Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father by Mitch Mosk
October 11, 2023<October 11, 2023 Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon by Josh Weiner
For the Love of Music
For the Love of Music
