August 16, 2024<August 19, 2024 Interview: Isabel Dumaa’s “C’est La Vie” Is an Anthem of Angst, Liberation, & Acceptance by Mitch Mosk
August 14, 2024<August 16, 2024 Interview: ‘Sugar Water,’ Explained in Maude Latour Pop Terms by Blake McMillan
August 13, 2024<August 13, 2024 “A time capsule of my naivety”: Mila Degray Is Channeling Coming-of-Age Angst into Indie Rock Wonders by Mitch Mosk
August 12, 2024<August 12, 2024 “I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs by Mitch Mosk
August 9, 2024<August 9, 2024 “Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’ by Mitch Mosk
August 9, 2024<August 9, 2024 ‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album by Mitch Mosk
August 9, 2024<August 9, 2024 Interview: Nat Harvie’s ‘New Virginity’ Accesses Personal Ecstasy Through Reflection, Complexity, and a Saxophone by Noah Wade
August 9, 2024<August 9, 2024 “If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun” by Mitch Mosk
August 8, 2024<August 8, 2024 “I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’ by Mitch Mosk
August 7, 2024<August 7, 2024 Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’ by Mitch Mosk
August 7, 2024<August 9, 2024 “Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album by Mitch Mosk
August 7, 2024<August 7, 2024 Interview: Liang Lawrence Combines Masterful Storytelling and Unforgettable Melodies on New EP ‘What’s Dead and Gone’ by Aaron Childree
August 7, 2024<August 7, 2024 Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts by Mitch Mosk
August 7, 2024<August 7, 2024 “Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’ by Mitch Mosk
For the Love of Music
For the Love of Music
