November 14, 2023<November 14, 2023 Interview: G Flip Embraces the Kit on ‘DRUMMER,’ Their Hard-Hitting, Drum-Centric Sophomore Album by Mitch Mosk
November 14, 2023<November 14, 2023 “I wish that we could stay right here forever”: Katastro’s Heartfelt Anthem “Good Time” Is a Beautiful Tribute to Late Singer Andy Chaves by Mitch Mosk
November 10, 2023<November 10, 2023 Cosmic Crying Affirmations: Angie McMahon Dives into the Raw Depths of Sophomore LP ‘Light, Dark, Light Again’ by Mitch Mosk
November 10, 2023<November 10, 2023 Interview: Stephanie Poetri Talks About Being a Homebody, Indonesian Food She Misses, & Her Songwriting Process by Freya Rinaldi
November 10, 2023<November 13, 2023 Exploratory, Nostalgic, & Cinematic: OTNES Bares Her Soul on Debut Album ‘SHOW THEM WHAT’S INSIDE!’ by Mitch Mosk
November 9, 2023<November 9, 2023 Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere by Mitch Mosk
November 9, 2023<December 6, 2023 Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’ by Mitch Mosk
November 8, 2023<November 8, 2023 Adventurous, Vulnerable, Playful: Beharie Shares His Many Sides on Soulful & Dreamy Debut Album, ‘Are You There, Boy?’ by Mitch Mosk
November 8, 2023<November 8, 2023 Cozy, Messy, & Loud: Oslo’s Dancing the Conga Debut with ‘Trying to define newpunk’, an Exhilarating Musical Fever Dream by Mitch Mosk
November 7, 2023<November 7, 2023 Perception & Paranoia: Atka’s Haunting Debut EP ‘The Eye Against the Ashen Sky’ Exposes Our Innermost Depths & Dichotomies by Mitch Mosk
November 7, 2023<November 7, 2023 Interview: British Alt Rock Band WESSON Speak About Their Raw & Vulnerable Debut Album, ‘All We Are’ by Joe Beer
November 6, 2023<November 6, 2023 “I’m a proud little hamster on my wheel”: Getting ‘Stupid and Famous’ With Pop Rock Trio Yam Haus by Mitch Mosk
November 3, 2023<November 3, 2023 Track-by-Track: With ‘Egg Everything,’ The Vaughns Cook Up an Inventive, Impassioned, & Achingly Emotive Sophomore Album by Mitch Mosk
November 3, 2023<November 3, 2023 “A Newfound Zest”: Reflecting on the Past & Looking to the Future with Taking Back Sunday’s Shaun Cooper by Isabella Le
November 3, 2023<November 3, 2023 Nostalgic, Dusky, & Contemplative: Victoria Bigelow’s Beautifully Brutal ‘Songs for No One Vol. 1’ by Mitch Mosk
For the Love of Music
For the Love of Music
