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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Ariana Grande "petal" © Katia Temkin 7.4
Music, Our Take, ReviewsAugust 7, 2026<August 7, 2026

Our Take: Ariana Grande Shares Feral Thoughts with Fans & Flames on Eighth Album, ‘Petal’

Parlour Magic © Hannah Wyatt
Interviews, MusicJuly 30, 2026<July 30, 2026

“Being in a State of Transit Shakes Things Up”: Parlour Magic Bring a World of Influence Home with the Absorbing Synthpop of ‘The Embassy’

bodie © courtesy of the artist
Interviews, MusicJune 26, 2026<June 26, 2026

“My New Sound Feels Like Home”: bodie Is an “Almost Famous” Alt-Pop Artist Looking to Finally Seal the Deal

molto morbidi © Jane Pujols
Interviews, MusicJune 25, 2026<June 25, 2026

Interview: Out of France’s Wine Region Comes molto morbidi, a Seasoned Artist Ready to Spin Her Sadness into Musical Gold

Black Nile © Myron Rogan
Interviews, MusicMay 28, 2026<May 28, 2026

“Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights

Moody Joody © Luke Rogers
Interviews, MusicMay 1, 2026<May 1, 2026

Meet Moody Joody: Three Musicians, Two Prevailing Moods, One Awesome Pop Trio Worth Keeping Your Eyes On

Smag På Dig Selv © Erling Brodersen
Interviews, MusicMarch 30, 2026<March 30, 2026

Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight

Bruno Mars 'The Romantic' © John V. Esparza 7.3
Music, Our Take, ReviewsMarch 4, 2026<March 4, 2026

Our Take: Bruno Mars Delivers Charming, Slow-Burning Fun on Fourth Solo Album ‘The Romantic’

Anne-Marie Keane © 2026
Interviews, MusicFebruary 4, 2026<February 4, 2026

Meet Anne-Marie Keane: Sailing Across the World and Ever True to Her Musical Craft

Alex Breitling © 2025
Columns, Music, Today's SongDecember 31, 2025<December 31, 2025

Today’s Song: Come Plunge into the Coral Reef (in Your Mind, Anyways) via Alex Breitling’s Immersive “Eternity”

The Kasambwe Brothers © Randi Steinberger
Interviews, MusicDecember 18, 2025<December 18, 2025

Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

The Urban Renewal Project © 2025
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

Interview with the Urban Renewal Project: An LA-Based Big Band Blending Jazz, Hip-Hop, Commentary, & More

Magnetic Skies © 2025
Interviews, MusicOctober 30, 2025<October 30, 2025

A Conversation with Magnetic Skies: Conquering the Electro-Retro-Futuristic World in Full Force

Doja Cat © Greg Swales 8.4
Music, Our Take, ReviewsOctober 21, 2025<October 21, 2025

Our Take: Doja Cat Delivers a Fiery Fifth Album with the Mega-Upbeat ‘Vie’

AM I THE DRAMA? - Cardi B 7.6
Music, Our Take, ReviewsSeptember 30, 2025<September 30, 2025

Our Take: Cardi B’s Comeback Album ‘AM I THE DRAMA?’ Is As Striking & Abrasive As Anything in Her Catalog

Posts pagination
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Recent Posts

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  • Atwood Magazine’s Weekly Roundup: October 16, 2026 October 16, 2026
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  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
  • Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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