February 13, 2024<February 13, 2024 Coaxing, Intimate, & Warm: Melting Reeds Craft Mesmerizing Soundscapes on Debut EP ‘Sundown’ by Jake Fewx
February 12, 2024<February 12, 2024 “In the end, you just want to feel something”: New Politics’ Søren Hansen Debuts New Solo Project With “Dream That I Die” by Mitch Mosk
February 8, 2024<February 8, 2024 Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort by Noah Wade
February 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
February 6, 2024<February 6, 2024 “Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP by Mitch Mosk
February 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
February 5, 2024<February 5, 2024 Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music by Olivia Martinez
February 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
January 31, 2024<January 31, 2024 Interview: Scarlett McKahey of Teen Jesus and The Jean Teasers Talks Debut Album ‘I Love You’ and the Journey into Your 20s by Kendall Graham
January 30, 2024<January 30, 2024 “Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album by Mitch Mosk
January 29, 2024<January 29, 2024 “Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday” by Mitch Mosk
January 29, 2024<January 29, 2024 “Back to My Roots”: Akira Galaxy Looks to the Stars & Embraces Her Inner Child on ‘What’s Inside You’ by Isabella Le
January 26, 2024<January 26, 2024 “Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’ by Mitch Mosk
January 26, 2024<January 26, 2024 Track-by-Track: NewDad Unpack the “Sad, Noisy Rock” World of ‘MADRA,’ Their Cathartic & Heavy-Hitting Debut Album by Mitch Mosk
January 24, 2024<January 24, 2024 Track-by-Track: The Alt-Folk Charm of emmersonHALL’s Loving, Honest, & Impulsive Debut Album by Mitch Mosk
For the Love of Music
For the Love of Music
