10 October 24, 2022<October 24, 2022 The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece by Mitch Mosk
October 24, 2022<October 24, 2022 Interview: A Whimsical Peek into Zella Day’s Personal Heaven by Sophie Severs
October 21, 2022<June 20, 2024 ‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing by Mitch Mosk
October 21, 2022<October 21, 2022 Premiere: Drew Beskin & The Sunshine Shine on Heartwarming Reverie, “Sun Cancer” by Mitch Mosk
October 21, 2022<October 22, 2022 Atwood Magazine’s Weekly Roundup: October 21, 2022 by Atwood Magazine Staff
October 21, 2022<October 21, 2022 liminal spaces: zzzahara’s Driving & Dreamy Debut Dwells in a Nostalgia-Laced Indie Rock Haze by Mitch Mosk
October 21, 2022<October 21, 2022 Tender, Warm & Sincere: Frankie Cosmos Look Inward in Fifth Album, ‘Inner World Peace’ by Sophie Severs
October 21, 2022<March 11, 2023 Interview: Adam Melchor Talks Love, Collaboration, & Putting It All Out on the Line on ‘Here Goes Nothing!’ by Rachel Leong
October 20, 2022<October 20, 2022 Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth by Mitch Mosk
October 20, 2022<October 20, 2022 Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut by Mitch Mosk
October 20, 2022<October 20, 2022 Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’ by Michael Greco
October 20, 2022<October 23, 2022 Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’ by Jamie Kahn
October 20, 2022<October 20, 2022 Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window” by Mitch Mosk
October 19, 2022<October 19, 2022 Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP by Mitch Mosk
October 19, 2022<October 19, 2022 Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More by Mitch Mosk
For the Love of Music
For the Love of Music
