May 29, 2024<May 29, 2024 Interview: Eliza & the Delusionals’ Sun-Kissed, Love-Soaked “Falling for You” Teases a Bold New Era Ahead of Their Sophomore Album by Mitch Mosk
May 29, 2024<May 29, 2024 Tumbleweed Tunes for All the Old Souls: Calder Allen Talks New Album ‘Dreamers, Drifters, and Hiders’ by Lauren Hicks
May 29, 2024<May 29, 2024 “You’re a chorus, I’m a verse”: Byland’s Hauntingly Beautiful Fever Dream “Two Circles” Aches With an Endless, Heavy Weight by Mitch Mosk
May 29, 2024<May 29, 2024 “Waco to Hollywood”: An Essay by JD Hinton for Mental Health Awareness Month by Guest Writer
May 28, 2024<May 28, 2024 “All at once, I’m met with my past”: Abby Holliday Pays “The Price” in Her Cathartic, Achingly Intimate Anthem of Acceptance & Letting Go by Mitch Mosk
May 27, 2024<May 25, 2024 The Howl & The Hum’s “Same Mistake Twice” Is a Dynamic, Dramatic, & Deeply Sentimental Return by Mitch Mosk
May 26, 2024<May 24, 2024 Today’s Song: Gracie Abrams Dives Headfirst into Love on Her New Single “Risk” by Aaron Childree
May 25, 2024<May 24, 2024 Peter Cat Recording Co.’s “People Never Change” Disguises Reflective Derision Under a Breezy Concoction of Disco-Inflected Experimentalism by Liv Goodbody
May 24, 2024<May 24, 2024 “A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory by Mitch Mosk
May 24, 2024<May 24, 2024 “Heaven isn’t what they tell you it is”: Softcult Showcase Their Authentic Activism & Songwriting Craftsmanship on ‘Heaven’ EP by Olivia Martinez
May 24, 2024<May 24, 2024 Today’s Song: New York City’s Rebounder Return with a Fresh Wave of Buzz and a New EP via “Sunset Vision” by Beau Hayhoe
May 24, 2024<May 24, 2024 Live Review: AJR Strike Ears, Eyes, & Hearts on the “Maybe Man” Tour in San Diego by Isabella Le
May 24, 2024<May 24, 2024 Interview: From Mumbai to New York City, A-Zal Is Fully Engrossed In His Pop Journey by Noah Wade
May 23, 2024<May 23, 2024 “I came here for the drama”: Dance Away the Heartache With Ava Vegas & French Horn Rebellion’s “Saddest Disco Girl” by Mitch Mosk
For the Love of Music
For the Love of Music
