Roundtable

May 19, 2017<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ Debut Album

by Atwood Magazine Staff

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“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream
“I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’
Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song
Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound
Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds
Atwood Magazine’s Weekly Roundup: November 20, 2024
“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos

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“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream November 21, 2024
“I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ November 21, 2024
Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song November 21, 2024
Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound November 21, 2024
Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds November 21, 2024
Atwood Magazine’s Weekly Roundup: November 20, 2024 November 20, 2024
“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos November 20, 2024
Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ November 19, 2024
Interview: George “Funky” Brown of Kool & The Gang Achieves a Profound Posthumous Send-Off With ‘Where I’m Coming From’ November 19, 2024
Nieve Ella, the GOAT of Grunge Indie Pop, Arrives With “Ganni Top (She Gets What She Needs)” November 19, 2024

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