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OMBIIGIZI

OMBIIGIZI © Natasha Roberts

Music, Music Videos, PremieresAugust 19, 2024<August 19, 2024

“Smothered by the dream”: OMBIIGIZI Premiere “Laminate the Sky,” a Song of Freedom, Place, & Truth Off Sophomore LP ‘Shame’

by Mitch Mosk

Atwood Magazine's Weekly Roundup | April 22, 2022

Columns, Features, Music, Weekly RoundupApril 22, 2022<April 22, 2022

Atwood Magazine’s Weekly Roundup: April 22, 2022

by Atwood Magazine Staff

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Brand New

‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada
“I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet
“Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time
“Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie
“You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired
Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments!
Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’

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Recent Posts

‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
“I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
“Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
“Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
“You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’ February 13, 2026
Angel Du$t Harken Back to Their Hardcore Roots on Ripping New Album ‘COLD 2 THE TOUCH’ February 13, 2026
“You’re Only Human, Honey”: Holly Humberstone Embraces Love’s Highest Highs & Hardest Truths on “To Love Somebody,” a Glistening, Gut-Punch Anthem February 13, 2026
“I Can’t Heal Myself”: Toronto Darkwave Duo TRAITRS Descend into Looping Nightmares and Identity Erosion on “Dream Drowning” February 12, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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