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Bastille Good Grief song

Bastille interview © 2016

Features, Interviews, MusicDecember 14, 2016<January 6, 2017

This Overwhelming, Cinematic, Fragile, Wild World: A Conversation with Bastille

by Mitch Mosk

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Brand New

Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’
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“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good
Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down”
Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse

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Recent Posts

Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut April 25, 2024
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ April 25, 2024
“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie April 25, 2024
“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good April 25, 2024
Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ April 25, 2024
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down” April 25, 2024
Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse April 25, 2024
Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine” April 24, 2024
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© Atwood Magazine 2023 For the Love of Music

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