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Brasstracks music

Features, Interviews, MusicAugust 30, 2021<September 7, 2021

Welcome Back: Brasstracks On Departure from Label, New Era, and New Directions

by Mariel Fechik

Features, Interviews, MusicJuly 16, 2020<July 16, 2020

Interview: Brasstracks on Collaboration and Their ‘Golden Ticket’

by Mariel Fechik

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Brand New

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut
“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy
Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’
‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP
“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity
Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal
“A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’

:: discover something new ::

:: discover something new ::

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Recent Posts

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut May 7, 2024
“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy May 7, 2024
Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ May 7, 2024
‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP May 6, 2024
“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity May 6, 2024
Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal May 6, 2024
“A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’ May 6, 2024
“A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long May 6, 2024
“If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament May 6, 2024
“I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale May 5, 2024

© Atwood Magazine 2023 For the Love of Music

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