• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mariel Fechik

Mariel Fechik

Mariel Fechik is the interviews editor at Atwood. She is a writer, musician, and librarian from Chicago.

Akenya © Leah Wendzinski
Columns, Interviews, Music, Today's SongDecember 19, 2023<December 20, 2023

Interview: Akenya on Self-Mythology, Astrology, and New Single “Hades Moon”

Billie Eilish "What Was I Made For?" © Jack Bridgland
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023

Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?”

John Doe © Todd V. Wolfson
Features, Interviews, MusicJune 6, 2022<March 2, 2025

After the Fall: John Doe on ‘Fables in a Foreign Land,’ Isolation, and Poetry

Gabriel Kahane © Jason Quigley
Features, Interviews, MusicMarch 28, 2022<March 2, 2025

Between Ecstasy and Grief: Gabriel Kahane Discusses ‘Magnificent Bird,’ Gift Economies, & Generosity

Features, Interviews, MusicJanuary 25, 2022<January 26, 2022

What Do You Want From Yourself: Aoife O’Donovan on Finding the Way Through Apathy

Features, Interviews, MusicDecember 15, 2021<December 16, 2021

Reflections: A Conversation with Justin Stanton & Gisela Joāo of Mirrors

Makaya McCraven © Nolis Anderson
Features, Interviews, MusicNovember 19, 2021<December 10, 2021

Deciphering the Message: Makaya McCraven on Blue Note and the Art of Remixing

Features, Interviews, MusicOctober 8, 2021<October 8, 2021

These Dreams: Anna B Savage On New EP, Emotional Extremeties, & More Birds

Priya Ragu © Amir Hossain
Features, Interviews, MusicSeptember 21, 2021<October 5, 2021

Damn She’s Tamil: Priya Ragu on Debut Mixtape, Spirituality, & Culture

Interviews, Music, PremieresSeptember 21, 2021<July 17, 2023

Premiere: Andrea Tomasi’s Meditative, Spiritual Album ‘Into the Mystery’

Features, Interviews, MusicSeptember 20, 2021<October 27, 2021

A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition

Features, Interviews, MusicAugust 30, 2021<September 7, 2021

Welcome Back: Brasstracks On Departure from Label, New Era, and New Directions

Kate Dinsmore © Kendall Rock
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021

Premiere: Kate Dinsmore’s Cathartic New EP ‘Version of Me’

Features, Interviews, MusicAugust 10, 2021<August 17, 2021

To Those Left Standing: Laura Stevenson on Her Self-Titled Album, Trauma, and Making Amends

Music, ReviewsAugust 4, 2021<August 4, 2021

Review: Billie Eilish Is Back and ‘Happier Than Ever’

Posts pagination
1 2 3 … 7

Recent Posts

  • “This Is a Love Letter to South America”: Hermanos Gutiérrez Honor Their Heritage on “Canto Andino” August 8, 2026
  • “Falling Off of Pedestals Is Hard”: Rowena Wise Explores the Weight of Expectation on “Diamond in the Rough” August 7, 2026
  • Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ August 7, 2026
  • Our Take: Ariana Grande Shares Feral Thoughts with Fans & Flames on Eighth Album, ‘Petal’ August 7, 2026
  • Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek! August 6, 2026
  • “Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’ August 6, 2026
  • “Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow August 6, 2026
  • “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ August 6, 2026
  • “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
  • “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services