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Farewell Starlite

Atwood Magazine's Weekly Roundup 12-01-2017

Columns, Music, Weekly RoundupDecember 5, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: December 1, 2017

by Atwood Magazine Staff

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Brand New

Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’
“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie
“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good
Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down”
Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse

:: discover something new ::

:: discover something new ::

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Recent Posts

Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut April 25, 2024
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ April 25, 2024
“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie April 25, 2024
“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good April 25, 2024
Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ April 25, 2024
New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down” April 25, 2024
Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse April 25, 2024
Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine” April 24, 2024
Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest April 24, 2024
“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ April 24, 2024

© Atwood Magazine 2023 For the Love of Music

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