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Music, ReviewsFebruary 18, 2020<February 18, 2020

Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

by Ryan Feyre

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“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month
She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory
Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’
Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album
“Stick figure sisyphus”: Cassandra Jenkins Dwells in Her Heartache on “Only One,” a Seductive Song of Emotional Stewing
Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside
Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London

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“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month May 14, 2024
She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory May 14, 2024
Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’ May 14, 2024
Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album May 13, 2024
“Stick figure sisyphus”: Cassandra Jenkins Dwells in Her Heartache on “Only One,” a Seductive Song of Emotional Stewing May 13, 2024
Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside May 13, 2024
Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London May 13, 2024
“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility May 10, 2024
Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single May 10, 2024
Atwood Magazine’s Weekly Roundup: May 10, 2024 May 10, 2024

© Atwood Magazine 2023 For the Love of Music

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