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Destroyer - TR/ST

Music, Our Take, Reviews April 19, 2019

Our Take: Robert Alfons Bares His Soul on TR/ST’s ‘The Destroyer – 1’

By Kareem Ghezawi

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Brand New

Today’s Song: Finding Resolve & Strength Through AJJ’s “A Big Day for Grimley”
Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim”
Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman
Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’
On Intent and Isolation: A Conversation with Post Animal
Today’s Song: Brother Moses Wonders What It Takes to Be Wanted
Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”

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About The Site

Atwood is a digital platform that seeks out visionary artists and fresh voices with the goal of promoting the arts. The Atwood team is made up of individuals from all over the world that are passionate about art and innovation. We aim to showcase not only incredible creation, but also the stories behind them.

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Recent Posts

Today’s Song: Finding Resolve & Strength Through AJJ’s “A Big Day for Grimley” February 19, 2020
Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim” February 19, 2020
Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman February 18, 2020
Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’ February 18, 2020
On Intent and Isolation: A Conversation with Post Animal February 18, 2020
Today’s Song: Brother Moses Wonders What It Takes to Be Wanted February 18, 2020
Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil” February 17, 2020
Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra” February 17, 2020
Today’s Song: Michael Dunstan Lets Go with “Smoulder or Ignite” February 17, 2020
Podcast: Tunes & Tumblers Celebrate Valentine’s Day Over Justin Timberlake’s Mid-’00s Classic ‘FutureSex/LoveSounds’ February 14, 2020

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