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Music, Our Take, ReviewsJune 24, 2014<June 30, 2014

Our take: A Review of The Shin’s New Single “So Now What”

by Nitesh

Music, Music Videos, VideoMay 14, 2014<June 18, 2014

Watch Agnes Obel’s New Music Video: “Dorian”

by Nitesh

Music, Music VideosMay 13, 2014<June 18, 2014

Music Video Shot With a Thermal Camera

by Nitesh

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Brand New

“Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph
A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival
“Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It”
“Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’
Turning the Page: Billie Marten on New Sounds, New Places, and Keeping Things Unfamiliar
“Push the Envelope While Retaining the Roots”: Mayday Parade’s Brooks Betts Explores Musical Philosophies and Intentions Behind ‘Sugar’
“I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream”

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Recent Posts

“Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph August 25, 2026
A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival August 25, 2026
“Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” August 25, 2026
“Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’ August 25, 2026
Turning the Page: Billie Marten on New Sounds, New Places, and Keeping Things Unfamiliar August 25, 2026
“Push the Envelope While Retaining the Roots”: Mayday Parade’s Brooks Betts Explores Musical Philosophies and Intentions Behind ‘Sugar’ August 25, 2026
“I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
“Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
“It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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