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Anthony Kozlowski

Anthony Kozlowski

Anthony is an audiophile who’s made a career out of constantly wearing a set of headphones. When he isn’t recording sound on movie sets, you can find him at an LA coffee shop dumping his thoughts into notebooks or taking up space at a concert. He once went to culinary school because he was bored, and is in a perpetual struggle to keep his houseplants alive. He currently hosts Atwood's one and only podcast Tunes & Tumblers.

MARIS © 2025
Features, Interviews, MusicMay 27, 2025<May 27, 2025

Yearning, Euphoria, & Queer Joy: A Conversation with MARIS

Chappell Roan © Ryan Lee Clemens
Debut, Features, Interviews, MusicAugust 26, 2024<August 26, 2024

“Drag is camp and camp is the most fun thing in the world”: A Conversation With Pop’s Ascendant Midwest Princess, Chappell Roan

AWOLNATION © Amalia Irons
Features, Interviews, MusicNovember 17, 2023<November 19, 2023

Feature: AWOLNATION Lean into the Sweet Authenticity of ‘Candy Pop’

Bob Moses © Zackery Michael
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Feature: Bob Moses on the Ambient Psychic Unrest of ‘The Silence in Between’

DWLLRS © Cole Ferguson
Features, Interviews, MusicFebruary 17, 2023<February 17, 2023

Feature: DWLLRS and the Art of Overthinking

Circa Waves © Lewis Vorne
Features, Interviews, MusicJanuary 13, 2023<March 11, 2023

“An Act of Resilience”: Circa Waves Cling to Optimism in Fifth Album ‘Never Going Under’

Big Wild © Gareth McConnell
Features, Interviews, MusicOctober 25, 2022<October 25, 2022

Being Here Now: Big Wild on Connection, Self-Discovery, and “The Efferusphere”

Billy Raffoul © Vanessa Heins
Music, PremieresOctober 6, 2022<October 5, 2022

Premiere: Billy Raffoul Breaks Free on “We Could Get High”

courtship. © Emily Nava
Features, Interviews, MusicJune 8, 2022<February 7, 2023

Feature: Kick Back and Slurp Some “Million Dollar Smoothies” with courtship.

NOTD © 2022
Features, Interviews, MusicMarch 31, 2022<December 5, 2022

Interview: NOTD Perfect the Art of Cry Dancing on “about you” (ft. Nightly)

Joywave © 2022
Features, Interviews, MusicFebruary 18, 2022<February 18, 2022

Feature: Joywave Wash, Rinse, and Start Fresh on New Album ‘Cleanse’

The Walters © Elena Kulikovaå
Features, Interviews, MusicJanuary 25, 2022<January 25, 2022

Feature: 2022 Belongs to The Walters

Two Feet & grandson © Austin Cieszko
Features, Interviews, MusicDecember 21, 2021<December 21, 2021

Feature: Two Feet Says Hello to the Next Chapter on “Until I Come Home”

Grace Kay © Xkylar
MusicNovember 11, 2021<November 11, 2021

Premiere: Grace Kay Bottles the Intimacy of Friendship on “Here”

Features, Interviews, MusicOctober 15, 2021<October 22, 2021

Feature: Vance Joy Searches for That “Missing Piece” with Reworkings of Latest Hit

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Recent Posts

  • “Sometimes Healing Feels a Lot Like Dying Before It Starts to Feel Like Freedom”: Anna Moon & the Stars Roars Back to Life on “Oh my god! It’s a resurrection” August 27, 2026
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  • Away From the Algorithm: Margaret Glaspy on Finding “Original Thought,” Trusting Her Instincts, and ‘I Am Both’ August 27, 2026
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  • “Life Is Still the Sweetest Thing”: Lila Forde Rekindles Love’s First Spark on “Do It All Over,” a Radiantly Soulful Slice of Summer Bliss August 26, 2026
  • “Psych-Pop Soap Opera”: Radar Gold Reimagine the Psychedelic Scene on Their Sophomore LP ‘Fortune Teller’ August 26, 2026
  • “Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph August 25, 2026
  • A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival August 25, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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