• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Baylee Less

Baylee Less

Baylee is an aspiring music journalist who currently contributes to Atwood Magazine and the I Love Memphis Blog. A native (and proud) Memphian, she spends most of her time waiting for the next Bonnaroo, quoting School of Rock, and late night ordering Domino's cheesy bread. Follow me on Twitter for comments on the juiciest releases, climate change, and general revelry.

Dirt EP - Hayden Calnin
Features, Music, Our Take, ReviewsJuly 17, 2017<July 17, 2017

Our Take: Hayden Calnin Grieves with Grace in ‘Dirt’ EP

Neu Youth © Úna Blue
Debut, Music, Premieres, ReviewsJuly 12, 2017<July 12, 2017

EP Premiere: Neu Yeuth Shimmer in Debut Self-Titled EP

Lucy Rose © Harry Wade
Music, Our Take, ReviewsJuly 12, 2017<July 12, 2017

Our Take: Lucy Rose Endears and Inspires with ‘Something’s Changing’

Subluxe - Healy
Debut, Music, Our Take, ReviewsJune 23, 2017<June 23, 2017

Our Take: Healy’s ‘Subluxe’ Glows with Nostalgia and Introspection

Bonnaroo 2017 logo
Features, Festival, Music, News, PreviewsJune 5, 2017<June 24, 2017

Surviving the Farm: (Y)Our Music Guide to Bonnaroo 2017

You Don't Know About Me - Ella Vos
Columns, Music, Today's SongJune 1, 2017<May 31, 2017

Today’s Song: Confronting Negativity in Ella Vos’ New Single “You Don’t Know About Me”

Posts pagination
1 2 3 4

Recent Posts

  • Musical Mind-Reading: An Introduction to ‘t e l e p a t h テレパシー能力者’ June 26, 2026
  • “My New Sound Feels Like Home”: bodie Is an “Almost Famous” Alt-Pop Artist Looking to Finally Seal the Deal June 26, 2026
  • “I’d Probably Tell That Kid to Enjoy the Ride”: Charles Kelley and Richard Marx Cruise Down Memory Lane with “Driving and Listening to Music” June 26, 2026
  • “I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame June 25, 2026
  • “Becoming Saint Micah”: A Pride Month Essay by Saint Micah June 25, 2026
  • Interview: Out of France’s Wine Region Comes molto morbidi, a Seasoned Artist Ready to Spin Her Sadness into Musical Gold June 25, 2026
  • “I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning June 24, 2026
  • “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ June 24, 2026
  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services