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Emily Weatherhead

Emily Weatherhead

Emily is a writer and elementary school teacher based just outside of Toronto, Canada. She is a classically trained pianist, a (very) amateur guitarist, and a songwriting enthusiast. In 2021, she founded Musicians Found, a program that helps connect communities in need with musical instruments. She has a master’s degree in Community Psychology from Wilfrid Laurier University, where she facilitated music programs in a long-term care home as part of her studies. She’s seen the transformative power of music firsthand, and loves any opportunity to connect with musicians and music lovers from across the globe!

Gracie Abrams ‘Daughter from Hell’ © Julie Greve 9
Music, Our Take, ReviewsJuly 22, 2026<July 22, 2026

Our Take: Gracie Abrams Alchemizes Her Pain into a Cathartic Symphony on ‘Daughter from Hell’

Suki Waterhouse ‘Loveland’ © Miles Aldridge 7.9
Music, Our Take, ReviewsJuly 15, 2026<July 15, 2026

Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’

Yan Qing © 2026
Music, PremieresJune 22, 2026<June 22, 2026

“I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad

Olivia Rodrigo ‘you seem pretty sad for a girl so in love’ album art 9.4
Music, Our Take, ReviewsJune 16, 2026<June 16, 2026

Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

Olivia Rodrigo "the cure" © cloudyy
Columns, Music, Today's SongJune 12, 2026<June 12, 2026

“I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure”

Anyhow © Gabe Drechsler
Debut, Features, Interviews, MusicMay 6, 2026<May 6, 2026

“It’s the Magic of the Seventh-Grade Hangout”: How Anyhow’s Nick Cianci and Dan Harris Transformed Their Harmonious Passion for Music into a Dynamic Signature Sound

Recent Posts

  • Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails! October 31, 2026
  • “I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage October 30, 2026
  • Atwood Magazine’s Weekly Roundup: October 30, 2026 October 30, 2026
  • “These Songs Have Been Lived In”: Convinced Friend Keeps a Disappearing Hometown Alive on ‘Nowhere Songs,’ a Spellbinding Ode to All We Leave Behind October 29, 2026
  • “Like 100 Shots of Espresso”: Sebastian Schub Throws Himself Headfirst into Joy on “kiss of life.” and His Most Magical Music Yet October 29, 2026
  • King Gizzard & the Lizard Wizard Dive into a Brand New World of Beats & Synths on ‘Alien Metal’ October 29, 2026
  • “It Was All a Mistake… But We Liked It”: MLEKO on Happy Accidents, ‘The Feast of St. Perpetua,’ & the Beautiful Absurdity of “Gub Rock” October 29, 2026
  • “It’s a Beautiful Night Somewhere”: U2’s “The Greatest Show on Earth” Is an Infinite Gesture of Hope October 29, 2026
  • “I’m Sick of Everything Evil”: Montreal’s Elephant Stone Search for Hope Amid Grief & Political Turmoil on ‘ASHA,’ a Soul-Stirring Psychedelic Reckoning October 28, 2026
  • “You Don’t Have to Take This Crap”: Why The Style Council’s ‘Our Favourite Shop’ Is the Best Political Album of All Time October 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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