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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lizzie Weber © Tim Gebauer
Music, PremieresDecember 8, 2025<December 8, 2025

“I’ll Walk All This Talk About Letting Go”: Lizzie Weber & Markéta Irglová Offer a Sacred, Soul-Stirring Invocation on “Maria”

Reem Mitten © Luca Bailey
Artist to Watch, Interviews, MusicDecember 8, 2025<December 9, 2025

Artist to Watch: London’s Reem Mitten Is Turning Feelings into Fantasies With a Soul-Stirring Voice and Songs That Ache From the Inside Out

Jade Street (Zachary Zwelling, Eli Meyuhas) and Apple Martin © Maggie London
Columns, Interviews, Music, Today's SongDecember 8, 2025<December 8, 2025

“I want to take you away”: Jade Street & Apple Martin Find Their Orbit on “Satellites,” an Achingly Intimate Reverie of Longing, Distance, & Restraint

Dijon 'Baby' album art © Kristina Loggia 10
Music, ReviewsDecember 4, 2025<December 4, 2025

“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity”

Amanda Bergman © Julia Mård
Artist to Watch, Features, Interviews, MusicDecember 4, 2025<December 4, 2025

“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone

Of Monsters and Men 'All is Love and Pain in the Mouse Parade' © Eva Schram
Features, Interviews, MusicDecember 3, 2025<December 3, 2025

“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’

Marem Ladson © Nuria Rius
Artist to Watch, Interviews, MusicDecember 3, 2025<December 3, 2025

“I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie

Gabriel Jacoby 'gutta child' © Josh Flores
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2025<December 3, 2025

“I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’

Dove Ellis © Xander Lewis
Artist to Watch, Columns, Music, Today's SongDecember 3, 2025<December 3, 2025

“Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling

Plain Mister Smith © Sandra Lockwood
MusicDecember 2, 2025<December 2, 2025

“So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol”

Louie Blue 'Blood & Bones' © Julian Riikonen
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

“Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’

Mon Rovîa © Zayne Isom
Artist to Watch, Interviews, Music, Today's SongDecember 2, 2025<December 2, 2025

“No, They’re Never Gonna Keep Us All Down”: Mon Rovîa Finds His Voice, His Power, & His Bloodline on “Heavy Foot,” a Protest Anthem for a Fractured, Waking World

Chrissy © Yana Yatsuk
Artist to Watch, Interviews, MusicDecember 1, 2025<December 2, 2025

“It’s Just a Little Bit Sore”: Chrissy Blooms with Tender Strength on Her Achingly Intimate & Liberating ‘Slight Turn’ EP

Atwood Magazine's 138th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 26, 2025<November 26, 2025

Editor’s Picks 138: néomí, Dove Ellis, St. Panther, JERUB, Chrissy, & JOSEPH!

Just Penelope © 2025
Artist to Watch, Debut, Interviews, MusicNovember 25, 2025<November 25, 2025

“Sometimes Chaos Has a Certain Swagger”: Bloomington’s Just Penelope Debut with “June, July” and a Sweaty, Searing, Unapologetic Indie Rock Sound

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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