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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become

néomí © Liz van den Akker
Interviews, Music, Today's SongDecember 11, 2025<December 11, 2025

“Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love

Brian Dunne 'Clams Casino' © Marianka Campisi
Features, Interviews, MusicDecember 10, 2025<December 12, 2025

“I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More

JOSEPH © Gardenia Miramontes
Columns, Interviews, Music, Today's SongDecember 10, 2025<December 10, 2025

“I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’

Atwood Magazine's 139th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 9, 2025<December 9, 2025

Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred!

St. Panther 'Strange World' EP
Features, Interviews, MusicDecember 9, 2025<December 13, 2025

“I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’

"Fell in Love with Christmas" by Toby Gad and Anthony Gargiula
Mistletones, Music, Music Videos, PremieresDecember 9, 2025<December 9, 2025

Premiere: Toby Gad and Anthony Gargiula Find Holiday Magic & a Childlike Sense of Wonder on “Fell in Love with Christmas”

Dollpile © Chlo Barkley
Columns, Interviews, Music, Today's SongDecember 9, 2025<December 9, 2025

“I Told You What I Wanted to Say”: Dollpile’s “Fake Flowers” Is a Cathartic Fuzz Folk Exhale of Exhaustion, Memory, and Emotional Unraveling

Lizzie Weber © Tim Gebauer
Music, PremieresDecember 8, 2025<December 8, 2025

“I’ll Walk All This Talk About Letting Go”: Lizzie Weber & Markéta Irglová Offer a Sacred, Soul-Stirring Invocation on “Maria”

Reem Mitten © Luca Bailey
Artist to Watch, Interviews, MusicDecember 8, 2025<December 9, 2025

Artist to Watch: London’s Reem Mitten Is Turning Feelings into Fantasies With a Soul-Stirring Voice and Songs That Ache From the Inside Out

Jade Street (Zachary Zwelling, Eli Meyuhas) and Apple Martin © Maggie London
Columns, Interviews, Music, Today's SongDecember 8, 2025<December 8, 2025

“I want to take you away”: Jade Street & Apple Martin Find Their Orbit on “Satellites,” an Achingly Intimate Reverie of Longing, Distance, & Restraint

Dijon 'Baby' album art © Kristina Loggia 10
Music, ReviewsDecember 4, 2025<December 4, 2025

“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity”

Amanda Bergman © Julia Mård
Artist to Watch, Features, Interviews, MusicDecember 4, 2025<December 4, 2025

“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone

Of Monsters and Men 'All is Love and Pain in the Mouse Parade' © Eva Schram
Features, Interviews, MusicDecember 3, 2025<December 3, 2025

“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’

Marem Ladson © Nuria Rius
Artist to Watch, Interviews, MusicDecember 3, 2025<December 3, 2025

“I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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