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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Features, Music, Track-by-TrackJuly 2, 2026<July 7, 2026

“Heaven’s Open and True Love Is Alive”: Selve Chase Holy Fire Through Desire & Danger on ‘Breaking Outta Heaven,’ a Liberating Escape Beyond the Gates

Winyah © Harrison Hargrave
Interviews, Music, Today's SongJuly 2, 2026<July 5, 2026

“The Love Is Always There”: Winyah Chase Home, Heart, & the Cost of the Climb on “Rat Race,” a Roaring Indie Rock Anthem for Dreamers Running on Empty

Brooklyn Del & the Revelators "Baptized of You" © Jason Hooper
Music, Music Videos, PremieresJuly 1, 2026<July 1, 2026

“I Took My Body to the Water”: Brooklyn Del & The Revelators Wash the Past Away on “Baptized of You,” a Seductive Desert-Country Reawakening

Gareth Dunlop © Jamie Neish
Interviews, Music, Today's SongJuly 1, 2026<July 1, 2026

“Sorrow Is Love’s Souvenir”: Gareth Dunlop Sings Through Grief’s Ancient Ache on “Wish I Couldn’t Feel a Thing,” a Soul-Stirring Alt-R&B Reckoning

CR & The White Lights © Liz Sadkowski, Chris Gennone
Music, Music Videos, PremieresJune 30, 2026<June 30, 2026

“What Happened to You, My Friend?”: CR & The White Lights Revisit Lost Ties on “Yearbook,” a Dreamy Alt-Country Reckoning

Atwood Magazine's 159th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 26, 2026<June 26, 2026

Editor’s Picks 159: Lucia & The Best Boys, Soft Loft, Martin Luke Brown, TAURO, Cassia, & Bekah Bossard!

Chris Wills and Revenge Wife © Carlos Cabrera-Mayol
Interviews, Music, Today's SongJune 25, 2026<June 25, 2026

“I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame

Samuel S.C. © courtesy of the band
Music, PremieresJune 24, 2026<June 24, 2026

“I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning

aleksiah © Jess Gleeson
Artist to Watch, Interviews, Music, Today's SongJune 24, 2026<June 24, 2026

“If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’

Aquilo © Harvey Pearson
Interviews, Music, Today's SongJune 23, 2026<June 23, 2026

“Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream

Lisa Molinaro © Mary Luczycki
Interviews, Music, Music Videos, PremieresJune 22, 2026<June 22, 2026

“I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release

Adrian Lyles © Cole Ferguson
Interviews, Music, Today's SongJune 19, 2026<June 19, 2026

“All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

Atwood Magazine's 158th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 18, 2026<July 10, 2026

Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

Nymphlord © Daniel Topete
Debut, Interviews, Music, Today's SongJune 17, 2026<June 17, 2026

“A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’

Fruit Bats’ Eric D. Johnson © Kelsey Gallagher
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’

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Recent Posts

  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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