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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

sundayclub "Camera Shy" © Evie Maynes
Interviews, Music, PremieresApril 21, 2026<April 22, 2026

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness

LIFE "The Dollywaggon" © Luke Hallett
Interviews, Music, Today's SongApril 20, 2026<April 20, 2026

“Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown

Luke Beling © Shannon Nicole
Columns, Music, Today's SongApril 19, 2026<April 18, 2026

“It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song

CASTLEBEAT © Sonia Gadhia
Interviews, Music, Today's SongApril 17, 2026<April 17, 2026

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral

Royel Otis "Sweet Hallelujah" © Isaac Brown
Music, Reviews, This Just InApril 16, 2026<April 16, 2026

“I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye

Ivory Layne "Skim" © Amie Akers
Interviews, Music, PremieresApril 16, 2026<April 16, 2026

“Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection

Alemeda © Marika Rose Gold
Interviews, Music, Today's SongApril 15, 2026<April 15, 2026

“I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love

The Strokes "Going Shopping" cover art
Music, Reviews, This Just InApril 15, 2026<April 15, 2026

“I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’

Fantastic Cat 'Cat Out of Hell' 9.4
Music, Our Take, ReviewsApril 14, 2026<April 14, 2026

“Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph

Park Hills Circle © Maren Celest
Interviews, Music, PremieresApril 14, 2026<April 14, 2026

“A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie

Atwood Magazine's 152nd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 10, 2026<April 10, 2026

Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!

Noshows "FOMO" © Zach Munowitz
Interviews, Music, Today's SongApril 9, 2026<April 9, 2026

“Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream

The Undercover Dream Lovers © Jacob Cummings
Interviews, Music, Today's SongApril 6, 2026<April 11, 2026

“You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

Charlie Lim © Rin Tachihara
Music, Music Videos, PremieresApril 3, 2026<April 9, 2026

“Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

Stephen Sanchez "Sweet Love" © 2026
Interviews, Music, Today's SongApril 3, 2026<April 3, 2026

“SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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