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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 165th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 28, 2026<August 28, 2026

Editor’s Picks 165: VANITY, Mansdaughter, Keo, Black Lounge, M.O.T.H.E.R., Emma Ogier & Eden Joel!

chandol © Kevin Lien
Debut, Interviews, Music, PremieresAugust 28, 2026<August 28, 2026

“This Is What It Was Supposed to Feel Like All This Time”: chandol’s Charley Yang Steps Fully Into Himself on ‘Mercurial,’ a Debut Reckoning with Memory & Change

Tiger Lewis © Caity Krone
Interviews, Music, Today's SongAugust 28, 2026<August 28, 2026

“I Love Out Loud. People Aren’t Used to That”: Tiger Lewis Roars Into His Own on “Too Easy,” a Blistering Love Song About Letting Your Guard Down

Lottie McLeod © Carrie McLeod
Interviews, Music, Today's SongAugust 27, 2026<September 28, 2026

“Fun, Awkward, & Joyful”: Lottie McLeod Rides Love’s Highs and Heartaches on “Wednesdays at the Waterloo,” an Indie Pop Daydream

Anna Moon & the Stars © 2026
Interviews, Music, Music Videos, PremieresAugust 27, 2026<August 27, 2026

“Sometimes Healing Feels a Lot Like Dying Before It Starts to Feel Like Freedom”: Anna Moon & the Stars Roars Back to Life on “Oh my god! It’s a resurrection”

Where's Beth © Aaron
Features, Interviews, MusicAugust 27, 2026<August 27, 2026

“The Hurt Is Softer Than We Know”: Where’s Beth Finds Beauty in the Mess of Being Alive on ‘Ache Is A Cricket In The Night’

Closebye © Conor Henry McNamara
Interviews, Music, Today's SongAugust 26, 2026<September 6, 2026

“It Feels Like Our Luck Is Changing”: NYC’s Closebye Choose the Unknown on “No Troubles Left At All,” a Spellbinding Indie Rock Anthem of Survival and Renewal

Pamphlets © 2026
Interviews, Music, PremieresAugust 26, 2026<August 26, 2026

“Existence Is the Best Form of Resistance”: Pamphlets Tear into Power’s Endless Hunger on “Against the Forces of Nature,” a Feverish Post-Punk Eruption

before close © 2026
Interviews, Music, PremieresAugust 26, 2026<August 26, 2026

“If You Only Gave It One More Try”: before close & Amelia Coburn Trace Love Through the Seasons on “roisin,” an Achingly Beautiful Folk Spell

Lila Forde © Robbie Jeffers
Interviews, Music, Music Videos, PremieresAugust 26, 2026<August 26, 2026

“Life Is Still the Sweetest Thing”: Lila Forde Rekindles Love’s First Spark on “Do It All Over,” a Radiantly Soulful Slice of Summer Bliss

BAILEN © Alex Brown
Artist to Watch, Music, ReviewsAugust 25, 2026<August 25, 2026

“Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph

Ferguson Hi-Fi are: Pete Ferguson, Darren McCaughey, Rachel Wilson, and Shaun Hood © Grant Stewart
Artist to Watch, Debut, Music, ReviewsAugust 25, 2026<August 25, 2026

“Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It”

Josaleigh Pollett © PJ Guinto
Interviews, Music, Today's SongAugust 25, 2026<August 25, 2026

“Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’

Edens © Dan Wendt
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026

“Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion

D’Clair © 2026
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026

“It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie

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Recent Posts

  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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