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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Marfa © courtesy of the band
Interviews, Music, Today's SongSeptember 25, 2026<September 25, 2026

“The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist

Chase Elodia © 2026
Interviews, Music, PremieresSeptember 24, 2026<October 22, 2026

“It’s OK to Cry About the Color Green”: Chase Elodia Celebrates Friendship at Its Most Ridiculous on “Mushroom Trip,” a Lush Indie Folk Ode to the Real Ones

Good Grief - Milk St. album art
Features, Interviews, Music, PremieresSeptember 23, 2026<September 23, 2026

“Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock

The Empty Pockets © Sarah Elizabeth Larson
Interviews, Music, Music Videos, PremieresSeptember 23, 2026<September 24, 2026

“Choosing Each Other Every Day”: Chicago’s The Empty Pockets Make a Love Song Out of the Daily Grind on “I Never Get Sick of You”

Hollow Hand © James Sharp
Interviews, Music, Today's SongSeptember 22, 2026<September 28, 2026

“You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie

Atwood Magazine's 167th Editor's Picks!
Columns, Editor's Picks, Features, MusicSeptember 11, 2026<September 11, 2026

Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace!

Tooth © Maeve Wong
Debut, Interviews, Music, Today's SongSeptember 10, 2026<September 10, 2026

“Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence”

Weird Nightmare's Alex Edkins © Colin Medley
Interviews, Music, Today's SongSeptember 9, 2026<September 9, 2026

“I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony

Shelter & Sound © 2026
Debut, Interviews, Music, PremieresSeptember 8, 2026<September 8, 2026

“I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption

Big Sleep © Eoin Byrne
Interviews, Music, Today's SongSeptember 8, 2026<September 7, 2026

“Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock

Atwood Magazine's 166th Editor's Picks!
Columns, Editor's Picks, Features, MusicSeptember 7, 2026<September 7, 2026

Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole!

Medium Build ‘King of Having Fun’ album art
Features, Interviews, MusicSeptember 4, 2026<October 7, 2026

“It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms

Eliza Edens © Emilio Herce
Columns, Interviews, Music, Today's SongSeptember 3, 2026<September 3, 2026

“I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance

The Army, The Navy © Lucy Black
Interviews, Music, Today's SongSeptember 2, 2026<September 2, 2026

“Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth

Alabama Shakes © Bobbi Rich 10
Music, ReviewsSeptember 2, 2026<September 2, 2026

“I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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