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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Niamh Regan 'Come As You Are' © Molly Keane
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

“I’m in it for the long haul, baby”: Niamh Regan Embraces a Spirit of Truth in ‘Come As You Are,’ a Breathtaking Record of Raw Self-Acceptance

Bo Baskoro © Shawnie Fortune
Music, PremieresMay 31, 2024<November 2, 2025

“Don’t be scared to feel too much”: Bo Baskoro’s “Give You Up” Is a Heartfelt Song About Showing Up for Our Loved Ones

Closebye © Nicole Miller
Columns, Music, Today's SongMay 30, 2024<May 30, 2024

“I’m just a big mess”: NYC’s Closebye Light a Face-Melting Fire on “Pilates,” a Vibey, Emotionally Charged Fever Dream

Cassia © Marieke Macklon
Features, Interviews, MusicMay 30, 2024<May 30, 2024

“We are all about shining a light on the difficult times”: Cassia Find a New Groove in ‘Home Soon…,’ a Summery, Sun-Soaked Reverie

Eliza & The Delusionals © Nick Maguire
Columns, Interviews, Music, Today's SongMay 29, 2024<May 29, 2024

Interview: Eliza & the Delusionals’ Sun-Kissed, Love-Soaked “Falling for You” Teases a Bold New Era Ahead of Their Sophomore Album

Byland "Two Circles" © Dark Details
Music, Music Videos, PremieresMay 29, 2024<May 29, 2024

“You’re a chorus, I’m a verse”: Byland’s Hauntingly Beautiful Fever Dream “Two Circles” Aches With an Endless, Heavy Weight

Abby Holliday "The Price" © Grace Holliday
Columns, Music, Today's SongMay 28, 2024<May 28, 2024

“All at once, I’m met with my past”: Abby Holliday Pays “The Price” in Her Cathartic, Achingly Intimate Anthem of Acceptance & Letting Go

The Howl & The Hum "Same Mistake Twice" © 2024
Columns, Music, Today's SongMay 27, 2024<May 25, 2024

The Howl & The Hum’s “Same Mistake Twice” Is a Dynamic, Dramatic, & Deeply Sentimental Return

Sinkane's Ahmed Gallab © Chloe Morales-Pazant
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory

Ava Vegas "Saddest Disco Girl" © Izzy Offer
Music, PremieresMay 23, 2024<May 23, 2024

“I came here for the drama”: Dance Away the Heartache With Ava Vegas & French Horn Rebellion’s “Saddest Disco Girl”

King Kyote © 2024
Music, PremieresMay 23, 2024<May 23, 2024

“Baby we’re a ghost town”: King Kyote’s Soul-Soaked “Weapon” Is a Smoldering, Heartfelt Call for Love Over War

Joshua Idehen © Vega Salomonsson
Music, Music Videos, PremieresMay 23, 2024<May 23, 2024

“Most days I’m far from a Phoenix”: Joshua Idehen’s Spirited “All You Can Do Is Try” Channels Sage Advice into a Feel-Good Revelry

Niina Soleil "See Red" © Sherman Chen
Debut, Music, Music Videos, PremieresMay 22, 2024<May 22, 2024

“Sinking down into the blue”: Niina Soleil Unleashes Her Inner Fire on “See Red,” an Intimate Eruption of Crimson Passion

Dipsea Flower © Will Tiong
Artist to Watch, Music, PremieresMay 22, 2024<May 22, 2024

“A love letter to being young and loving really hard”: Dipsea Flower Embrace the Present’s Beauty in “Sundance,” a Sweet & Summery Folk Rock Singalong

Valley's Karah James, Alex Dimauro, and Rob Laska © Becca Hamel
Columns, Music, This Just In, Today's SongMay 21, 2024<May 21, 2024

“Your secret life cut me open”: Valley Return With a Fiery Roar on “When You Know Someone,” an Anthem of Abandonment & Betrayal

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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