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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

Arny Margret © Gudmundur Kristinn Jonsson
Features, Interviews, Music, Track-by-TrackMarch 7, 2025<March 7, 2025

Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’

Atwood Magazine's 113th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 7, 2025<March 7, 2025

Editor’s Picks 113: Soot Sprite, Black Country, New Road, Spacey Jane, Joan & the Giants, The Ting Tings, & Brandon!

Kristiane © Mallory Idoni
Music, Music Videos, PremieresMarch 7, 2025<March 7, 2025

Premiere: Kristiane Reckons with Restlessness, Reinvention, & Release in Her Cathartic Anthem, “Good & Ready”

Sam Himself © Stefan Tschumi
Music, PremieresMarch 6, 2025<March 6, 2025

Premiere: Sam Himself’s “Backstreets” Turns Homesickness into a Lush Anthem of Longing & Liberation

Holly Lovell © Shane Leonard
Debut, Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025

Feature: Holly Lovell Channels Grief into Beauty on ‘Hello Chelsea,’ a Record of Addiction, Loss, & Healing

Alexander Biggs © 2025
Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025

‘Stay with the Horses’: Alexander Biggs on Letting Go, Pushing Boundaries, & Finding Clarity on His Sophomore Album

NIJI © Tosin Popoola
Debut, Features, Interviews, Music, Track-by-TrackMarch 5, 2025<March 5, 2025

Lineage, Legacy, & Universal Language: NIJI Comes Home on ‘Oríkì,’ a Bold Journey Through Music, Identity, and Ancestry

Hope Handwritten - Hope Tala
Debut, Features, Interviews, MusicMarch 5, 2025<March 5, 2025

“I Wanted to Make Something Undeniable”: Hope Tala on the Raw Emotions & Intimate Ink Stains of ‘Hope Handwritten’

DD Allen © Rachel DiBiaso
Music, PremieresMarch 4, 2025<March 4, 2025

Premiere: DD Allen’s “I See You in the Dark” Shines With Hope, Heart, and a Rebel’s Resolve

Julien Baker & TORRES © Ebru Yildiz
Columns, Music, Today's SongMarch 2, 2025<March 2, 2025

“Sylvia, don’t forget me”: Julien Baker & TORRES’ Soul-Stirring Ode to Unconditional Love

Stevie Bill "Fan" © Monique Penders
Columns, Music, Today's SongMarch 1, 2025<March 1, 2025

“Don’t Spoil My Appetite”: Stevie Bill’s “Fan” Is a Euphoric Love Letter to the the Fever of Fandom

Atwood Magazine's 112th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 28, 2025<March 7, 2025

Editor’s Picks 112: Gordi, Mt. Joy, Carla Aakre, Father John Misty, Jensen McRae, & Sam Fender!

Love Spells © Dan Franco
Columns, Music, Today's SongFebruary 27, 2025<February 27, 2025

Today’s Song: Love Spells’ Dark & Stormy “Lovers Only” and the Haunting Ache of Unrequited Love

Goo Goo Dolls © Maxine Evans
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Goo Goo Dolls’ Robby Takac Reflects on 30 Years of ‘A Boy Named Goo’ and the Band’s Never-Ending Evolution

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