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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 116th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 3, 2025<April 3, 2025

Editor’s Picks 116: Nami, Borderline, Litany, Lucy Dacus, Social Order, & zzzahara!

Jenner Fox Band "Right Away" © 2025
Music, PremieresApril 3, 2025<April 3, 2025

Premiere: Jenner Fox Band Illuminate Stillness, Distance, & the Warm Glow of Connection in the Radiant “Right Away”

CLOVER © Dani Sundream
Music, PremieresApril 3, 2025<March 12, 2026

Premiere: CLOVER Unravels and Exhales in Her Soul-Baring “Atlas,” a Haunting & Healing Surrender to the Weight We Carry Within

My Morning Jacket © Silvia Grav
Features, Interviews, MusicApril 2, 2025<April 2, 2025

“A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’

Brie Stoner "Topanga" © 2025
Music, PremieresMarch 28, 2025<April 1, 2025

Premiere: Brie Stoner’s Mythic & Cinematic “Topanga” Captures Canyon Dreams & Fleeting Flames

Jo Hill "ZOOM OUT" © Phoebe Fox
Columns, Interviews, Music, Today's SongMarch 28, 2025<March 28, 2025

“You Got This, Babe!”: Jo Hill Breaks Down “ZOOM OUT,” Her Feel-Good Anthem of Empowerment, Girlhood, & Resilience

St. Catherine's Child © 2025
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: St. Catherine’s Child Transforms Grief into Gold on Soul-Baring “Negative Space”

Pillowprince © Alexia Abarca
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: Pillowprince Channel Grief, Rage, & Resistance in Their Devastating Anthem “Care About”

Medium Build © Silken Weinberg
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025

“Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’

80Purppp © Quinn Duranda
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery

Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

Atwood Magazine's 115th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 21, 2025<March 24, 2025

Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias!

Anna Shoemaker 'Someone Should Stop Her' © Shervin Lainez
Features, Interviews, MusicMarch 20, 2025<March 20, 2025

“Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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